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Pillar from Tomb Chamber (Western Han dynasty (206 B.C.–A.D. 9); 1st century B.C.): Artwork and History

Pillar from Tomb Chamber at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

By the Pop Culture Files editorial team••3 min read•✓ Fact-checked
Pillar from Tomb Chamber (Western Han dynasty (206 B.C.–A.D. 9); 1st century B.C.; Art Institute 1924.449)
Art Institute of Chicago; Lucy Maud Buckingham Collection · CC0 1.0 / Public Domain

Pillar from Tomb Chamber (Western Han dynasty (206 B.C.–A.D. 9); 1st century B.C.) is in the Art Institute of Chicago collection. The museum lists its creator attribution as China; probably from Zhengzhou, Henan province.

The work and its context

The Art Institute of Chicago describes the work:

In northern China during the Han dynasty, hollow clay bricks were used to construct the small, rectangular chambers of underground tombs. The doors, pillars, and lintel assembled here reconstruct the entrance to such a chamber. Before firing, the bricks were stamped with vigorous images from daily life and from mythology. This combination of subject matters reflects a dualistic view of the human soul: separating at death, one part of the soul was thought to remain in the earthly tomb, while the other ascended to a paradise—the realm of ancestral spirits and of the special beings who have achieved immortality. Guardian images, both realistic and symbolic, are centered on each door. Two long-robed men (identified by inscription as tingzhang, village officials) flank another protective symbol, a ring-snouted monster mask. Surrounding this central square are border strips depicting scenes of entertainment and of animals, hunters, and chariots charging across mountains. Winged xian—immortal, elf-like figures—are also depicted in a mountainous setting. Other emblematic designs that appear repeatedly on these doors include a spade-shaped evergreen tree, designating family continuity and longevity, and a disk enclosing a bird in flight, which can be identified with the sun. On the lintel above, soldiers bearing shields flank a protective monster mask. On either side of this mask, jade disks tied by cords may symbolize prosperity or other auspicious wishes for the soul. Other auspicious symbols include the dragon and phoenix (also known as the Red Bird), identified in Han cosmological texts as the animals of the east and south, respectively.

Object facts

  • Title: Pillar from Tomb Chamber
  • Date: Western Han dynasty (206 B.C.–A.D. 9); 1st century B.C.
  • Artist attribution: China; probably from Zhengzhou, Henan province
  • Place of origin: China
  • Medium: Gray earthenware with impressed and carved decoration
  • Dimensions: 111.5 × 18 × 17.5 cm (43 7/8 × 7 1/16 × 6 7/8 in.)
  • Type: Architectural fragment
  • Department: Arts of Asia
  • Reference number: 1924.449

Collection credit

Lucy Maud Buckingham Collection

View the original

Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.

The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.

Sources

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