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Lampas with griffins in roundels, from the Reliquary of Saint Librada in Siguenza Cathedral at the Cleveland Museum of Art: 1100–50, Silk and gold thread: lampas and plain-weave variant. Explore the work's context, creator attribution and c
Shawl with boteh at the Cleveland Museum of Art: 1820–1830, 2/2 twill tapestry weave, double interlocked: wool, possibly pashmina. Explore the work's context, creator attribution and collection history.
![Title Page of Abbot Berno's "Tonarius:" Initial D[omino] (c.1030; Cleveland 1952.88)](https://openaccess-cdn.clevelandart.org/1952.88/1952.88_web.jpg)
Title Page of Abbot Berno's "Tonarius:" Initial D[omino] at the Cleveland Museum of Art: c.1030, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Reliquary of the True Cross at the Cleveland Museum of Art: c. 1214, silver, gilded silver, niello, precious stones, walnut core. Explore the work's context, creator attribution and collection history.
Bodhisattva at the Cleveland Museum of Art: c. 1200–1250, lacquered wood with color, gilt copper, and cut-gold (kirikane). Explore the work's context, creator attribution and collection history.
Self-Portrait at the Cleveland Museum of Art: 1802, watercolor on ivory in a gold frame. Explore the work's context, creator attribution and collection history.
Incense Burner at the Cleveland Museum of Art: 100s BCE, bronze. Explore the work's context, creator attribution and collection history.
The Archangel Michael Piercing the Dragon at the Cleveland Museum of Art: c. 1475, engraving. Explore the work's context, creator attribution and collection history.
The Deities: Demogorgon in the Cave of Eternity at the Cleveland Museum of Art: 1588–90, chiaroscuro woodcut. Explore the work's context, creator attribution and collection history.
The Promenade (Landscape with Cypresses) at the Cleveland Museum of Art: 1897, color lithograph on chine collé. Explore the work's context, creator attribution and collection history.
The American Cowslip, Plate 26 at the Cleveland Museum of Art: 1801, Etching with printed and hand-applied color, aquatint, stipple, and engraving. Explore the work's context, creator attribution and collection history.
Christ on the Cross at the Cleveland Museum of Art: c. 1600–1610, oil on canvas. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen) at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 1r, Calendar Page for January at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 1v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 2r, Calendar Page for February at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 2v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 3r, Calendar Page for March at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 3v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 10r, Calendar Page for October at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 10v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 111r, Calendar Page for November at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 11v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 12r, Calendar Page for December at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 12v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 13v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 14r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 14v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 141r, Opening of the Gospel of Luke at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 15v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 16r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 16v, Opening of the Gospel of Mathew at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 17r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 17v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 18r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 18v, Prayers to the Virgin, Large Initial O with Elaborate Border at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection h
Book of Hours (Use of Rouen): fol. 19r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 19v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 20r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.