Jar (Hu) (202 BCE–9 CE): Art, History and Details
Jar (Hu) at the Cleveland Museum of Art: 202 BCE–9 CE, earthenware with slip and painted decoration. Explore the work's context, creator attribution and collection history.
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Jar (Hu) at the Cleveland Museum of Art: 202 BCE–9 CE, earthenware with slip and painted decoration. Explore the work's context, creator attribution and collection history.

View of the Small Grotto toward the Deer Pond, Bois de Boulogne at the Cleveland Museum of Art: 1858, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Road in the Forest at the Cleveland Museum of Art: 1860–1863, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.

Mit Rahina Ware Vessel at the Cleveland Museum of Art: 200–100 BCE, polychrome faience. Explore the work's context, creator attribution and collection history.

Palette in the Form of a Fish at the Cleveland Museum of Art: c. 3500–2950 BCE, graywacke. Explore the work's context, creator attribution and collection history.

Vessel Ornament of Banqueter at the Cleveland Museum of Art: c. 400–375 BCE, bronze. Explore the work's context, creator attribution and collection history.

Pendant at the Cleveland Museum of Art: 1069–715 BCE, gold and turquoise. Explore the work's context, creator attribution and collection history.

The Adoration of the Magi at the Cleveland Museum of Art: c. 1545, etching. Explore the work's context, creator attribution and collection history.

The Judgment of Paris at the Cleveland Museum of Art: c. 1545, etching. Explore the work's context, creator attribution and collection history.

The Resurrection at the Cleveland Museum of Art: 1561, etching and engraving. Explore the work's context, creator attribution and collection history.

Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso) at the Cleveland Museum of Art: 1599/1604, red chalk; squared in red chalk (left hal

Three Studies of Angels for a Pendentive (recto) at the Cleveland Museum of Art: 1599/1604, red chalk; squared in red chalk (left half), framing lines in red chalk. Explore the work's context, creator attribution and collection history.

Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso) at the Cleveland Museum of Art: 1599/1604, red chalk. Explore the work's context, creator attribution and collection history.

The Guilty and Repentant Daughter at the Cleveland Museum of Art: early 1770s, brush and black and gray wash over black chalk. Explore the work's context, creator attribution and collection history.

Palette in the Form of a Turtle at the Cleveland Museum of Art: c. 3500–3050 BCE, graywacke. Explore the work's context, creator attribution and collection history.

Cloth of gold with winged lions and griffins at the Cleveland Museum of Art: 1225–75, Silk and gold thread: lampas. Explore the work's context, creator attribution and collection history.

Cader Idris, with the Mawddach River at the Cleveland Museum of Art: c. 1774, oil on canvas. Explore the work's context, creator attribution and collection history.

Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel at the Cleveland Museum of Art: 1850, salted paper print from calotype negative, Blanquart-Évrard process. Explore the work's context, creator attribution and collection history.

Notre Dame de Paris at the Cleveland Museum of Art: early 1860s, albumen print from glass negative. Explore the work's context, creator attribution and collection history.

Mirror Back with Great Goddess at the Cleveland Museum of Art: 400–550 CE, slate, pigment; other side originally inlaid with polished pyrite mirror. Explore the work's context, creator attribution and collection history.

Bird-Shaped Container at the Cleveland Museum of Art: 500–900, wood. Explore the work's context, creator attribution and collection history.

Manjushri at the Cleveland Museum of Art: c. 1500–1550, Hanging scroll, ink, color and gold on silk. Explore the work's context, creator attribution and collection history.

Vessel at the Cleveland Museum of Art: 300s BCE, Earthenware. Explore the work's context, creator attribution and collection history.

Watchtower at the Cleveland Museum of Art: 25–220 CE, earthenware with lead glaze. Explore the work's context, creator attribution and collection history.

Red-Figure Bell-Krater (Mixing Vessel): Bust of Dionysos and Comic Actors (A); Dionysos, Satyr, Maenad (B) at the Cleveland Museum of Art: c. 390–380 BCE, ceramic. Explore the work's context, creator attribution and collection history.

Head of a Young Woman at the Cleveland Museum of Art: 25–1 BCE, marble. Explore the work's context, creator attribution and collection history.

Prince Shōtoku at Age Two (Shōtoku Taishi) at the Cleveland Museum of Art: early 1300s, Wood with lacquer, color, and rock-crystal inlaid eyes. Explore the work's context, creator attribution and collection history.

Landscape with Putti at the Cleveland Museum of Art: c. 1550, etching. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): God of Thunder (Raijin) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Six Poetic Immortals (Rokkasen) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Late Spring (Boshun) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Flower boat (Hanabune) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Idleness (Tsurezure) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Fulling Silk (Uchiginu) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Spring Field (Haru no tanomo) at the Cleveland Museum of Art: 1909, ink and on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum and Paulownia (Kikukiri) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Farming Village in Spring (Harudenka) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Windswept Pines (Sonarematsu) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Flower-draped Carts at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.

Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum Boy (Kikujidō) at the Cleveland Museum of Art: 1909, ink and color on paper. Explore the work's context, creator attribution and collection history.