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Bowl Depicting Saint Francis Receiving Stigmata at the Cleveland Museum of Art: 1531, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: 1520–37, Gum tempera, ink, gold, and silver on paper. Explore the work's conte
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: 1522–37, Gum tempera, ink, gold, and silver on paper. Explore the work's conte
Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: 1520–37, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and collection history.
Panel with Falconers at the Cleveland Museum of Art: 1516–1955 (radiocarbon date, 95% probability), Silk: lampas weave. Explore the work's context, creator attribution and collection history.
Panel with Hunters and Camel and Inscription at the Cleveland Museum of Art: 1900s, Silk: lampas weave. Explore the work's context, creator attribution and collection history.
Gloria at the Cleveland Museum of Art: 1535 or 1536, engraving. Explore the work's context, creator attribution and collection history.
Saint Mary Magdalen at the Cleveland Museum of Art: c. 1630, oil on panel. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: 1901–1907, earthenware. Explore the work's context, creator attribution and collection history.
Plant Study at the Cleveland Museum of Art: 1857, graphite. Explore the work's context, creator attribution and collection history.
Young Woman Seated on a Bed at the Cleveland Museum of Art: 1764–67, chalk-manner etching and engraving printed in black and white on blue paper. Explore the work's context, creator attribution and collection history.
Sakyamuni at the Cleveland Museum of Art: 1900s, wood with traces of black lacquer. Explore the work's context, creator attribution and collection history.
Six Landscapes: Path Between Swamp and Wooded Bank at the Cleveland Museum of Art: c. 1595, etching. Explore the work's context, creator attribution and collection history.
Baboon on a Limestone Base at the Cleveland Museum of Art: 380–30 BCE, pale turquoise faience. Explore the work's context, creator attribution and collection history.
Bowl with Stamped Floral Decoration at the Cleveland Museum of Art: 1600s–1700s, glazed ceramic. Explore the work's context, creator attribution and collection history.
Bowl with Stamped Floral Decoration at the Cleveland Museum of Art: 1400s, glazed ceramic. Explore the work's context, creator attribution and collection history.
Vessel Ornament of Banqueter at the Cleveland Museum of Art: probably 400–375 BCE, bronze. Explore the work's context, creator attribution and collection history.
Battlefield of New Hope Church, Georgia, No. 2 at the Cleveland Museum of Art: 1865–1866, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Untitled (The Forest of Fontainebleau) at the Cleveland Museum of Art: c. 1874, albumen print, coated, from wet collodion negative. Explore the work's context, creator attribution and collection history.
Sky Study, Paris at the Cleveland Museum of Art: 1856–57, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
She Runs Home and Tells Her Mother All about It at the Cleveland Museum of Art: 1858, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Scotch Firs, Hawkhurst at the Cleveland Museum of Art: 1853, albumen print from calotype. Explore the work's context, creator attribution and collection history.
Carpet Fragment at the Cleveland Museum of Art: late 1800s–early 1900s, Silk: knotted pile. Explore the work's context, creator attribution and collection history.
Birds in a Tree at the Cleveland Museum of Art: c. 1700–1868, hanging scroll; silk gauze brocaded with gold and silk. Explore the work's context, creator attribution and collection history.
Footed Tray at the Cleveland Museum of Art: 1900s, lacquer over twisted and coiled paper. Explore the work's context, creator attribution and collection history.
Stone Panel for Royal Tomb at the Cleveland Museum of Art: late 700s–early 800s, granite. Explore the work's context, creator attribution and collection history.
Jar at the Cleveland Museum of Art: 25–220 CE, stoneware with impressed decoration. Explore the work's context, creator attribution and collection history.
Bird-Headed Ewer at the Cleveland Museum of Art: 600s–700s, green-glazed stoneware with modeled, molded, and applied decoration. Explore the work's context, creator attribution and collection history.
Bell (Lai Zhong) at the Cleveland Museum of Art: c. 800–700 BCE, bronze. Explore the work's context, creator attribution and collection history.
Vajrapani and Garuda at the Cleveland Museum of Art: painting c. 1650; top and bottom borders c. 1350, Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroide
Vajrapani Embroidered Mount with Garuda at the Cleveland Museum of Art: painting 1600s, embroidery c. 1300, Opaque watercolor, gold, and silver on silk. Explore the work's context, creator attribution and collection history.
Vajrapani Embroidered Mount with Garuda at the Cleveland Museum of Art: painting 1600s, embroidery c. 1300, Opaque watercolor, gold, and silver on silk. Explore the work's context, creator attribution and collection history.
Vajrapani Embroidered Mount with Garuda at the Cleveland Museum of Art: painting 1600s, embroidery c. 1300, Opaque watercolor, gold, and silver on silk. Explore the work's context, creator attribution and collection history.
Vajrapani Embroidered Mount with Garuda at the Cleveland Museum of Art: painting 1600s, embroidery c. 1300, Opaque watercolor, gold, and silver on silk. Explore the work's context, creator attribution and collection history.
Seven Jeweled Mountain at the Cleveland Museum of Art: late 1800s, ten-panel screen; ink and color on silk. Explore the work's context, creator attribution and collection history.
Hotei with Daoist Immortals at the Cleveland Museum of Art: late 1600s–early 1700s, triptych of hanging scrolls: ink on paper. Explore the work's context, creator attribution and collection history.
Hotei with Daoist Immortals: Immortal Riding Carp at the Cleveland Museum of Art: late 1600s-early 1700s, triptych of hanging scrolls: ink on paper. Explore the work's context, creator attribution and collection history.
Hotei with Daoist Immortals: Hotei at the Cleveland Museum of Art: late 1600s–early 1700s, triptych of hanging scrolls: ink on paper. Explore the work's context, creator attribution and collection history.
Hotei with Daoist Immortals: Immortal with Gourd and Dragon at the Cleveland Museum of Art: late 1600s-early 1700s, triptych of hanging scrolls: ink on paper. Explore the work's context, creator attribution and collection history.
Budding Sycamore at the Cleveland Museum of Art: c. 1876, black and gray wash, gouache, and graphite. Explore the work's context, creator attribution and collection history.