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Hotei with Daoist Immortals: Immortal Riding Carp (late 1600s-early 1700s): Art, History and Details

Hotei with Daoist Immortals: Immortal Riding Carp at the Cleveland Museum of Art: late 1600s-early 1700s, triptych of hanging scrolls: ink on paper. Explore the work's context, creator attribution and collection history.

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Hotei with Daoist Immortals: Immortal Riding Carp (late 1600s-early 1700s; Cleveland 1989.8.1)
Cleveland Museum of Art; Mr. and Mrs. William H. Marlatt Fund · CC0 1.0 / Public Domain

Hotei with Daoist Immortals: Immortal Riding Carp (late 1600s-early 1700s) is in the Cleveland Museum of Art collection. The museum's creator attribution is Kyūseki Tomonobu (Japanese, 1653–1721).

The work and its context

The museum's open-access catalogue describes the work:

Hotei was a Chan (Japanese: Zen) monk living in China during the 900s who, in the 1300s, became a legendary figure in Japan. At that time a popular cult praising him sprang up, extending beyond Zen to other religious communities. This rare triptych embraces a central Zen icon with flanking Daoist images, thereby suggesting the compatibility, rather than the exclusivity, of these two creeds. Hotei also enjoys popularity in Japan as a kind of genre, or folk figure, which explains his mirthful expression in Japanese paintings. The Daoist figures in contrast appear eccentric and foreign-looking, in keeping with Daoist lore. When these paintings came to the museum their appearance was compromised by poor quality textile mountings and cracked paper surfaces deserving of restoration. The fact that these scrolls constituted an integral set that properly had to be shown as a unit heightened the need to stabilize their condition and improve their presentation for museum visitors. A complete remounting of each scroll occurred following the cleaning of the paper surfaces and the repair of the lifting surface areas. No inpainting was done, thereby preserving the original ink values and brushstrokes.

Object facts

  • Title: Hotei with Daoist Immortals: Immortal Riding Carp
  • Date: late 1600s-early 1700s
  • Creator attribution: Kyūseki Tomonobu (Japanese, 1653–1721)
  • Culture: Japan, Edo period (1615–1868)
  • Type: Painting
  • Technique: triptych of hanging scrolls: ink on paper
  • Dimensions: Painting only: 119.6 x 51 cm (47 1/16 x 20 1/16 in.); Including mounting: 210.2 x 68.6 cm (82 3/4 x 27 in.)
  • Collection: ASIAN - Hanging scroll
  • Department: Japanese Art
  • Accession number: 1989.8.1

Collection credit

Mr. and Mrs. William H. Marlatt Fund

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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