Pedestaled Vessel with Incised Band Design (300s CE): Art, History and Details
Pedestaled Vessel with Incised Band Design at the Cleveland Museum of Art: 300s CE, earthenware. Explore the work's context, creator attribution and collection history.
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Pedestaled Vessel with Incised Band Design at the Cleveland Museum of Art: 300s CE, earthenware. Explore the work's context, creator attribution and collection history.

Standing Bodhisattva at the Cleveland Museum of Art: 1500s, wood with lacquer and gold, and metal earrings. Explore the work's context, creator attribution and collection history.

Miniature from a Compendium of Saints' Lives: Saint Catherine of Alexandria Disputing with the Fifty Philosophers at the Cleveland Museum of Art: c. 1200–1210, tempera and gold on vellum. Explore the work's context, creator attribution and

The Sleeping Faun at the Cleveland Museum of Art: modeled 1864, carved c. 1870, marble. Explore the work's context, creator attribution and collection history.

Lidded Jar with Horn Handle at the Cleveland Museum of Art: 400s–500s CE, red earthenware with applied red slip. Explore the work's context, creator attribution and collection history.

Covered Jar with Horn Handle at the Cleveland Museum of Art: 400s–500s CE, red earthenware with applied red slip. Explore the work's context, creator attribution and collection history.

Covered Jar with Horn Handle (lid) at the Cleveland Museum of Art: 400s–500s CE, red earthenware with applied red slip. Explore the work's context, creator attribution and collection history.

Lidded Jar at the Cleveland Museum of Art: 400s–500s CE, red earthenware with incised band designs. Explore the work's context, creator attribution and collection history.

Lidded Jar at the Cleveland Museum of Art: 400s–500s CE, red earthenware with incised band designs. Explore the work's context, creator attribution and collection history.

Lidded Jar (lid) at the Cleveland Museum of Art: 400s–500s CE, red earthenware with incised band designs. Explore the work's context, creator attribution and collection history.

Lidded Jar with Horn Handle at the Cleveland Museum of Art: 400s–500s CE, red earthenware with impressed designs and applied red slip. Explore the work's context, creator attribution and collection history.

Covered Jar with Horn Handle at the Cleveland Museum of Art: 400s–500s CE, red earthenware with impressed designs and applied red slip. Explore the work's context, creator attribution and collection history.

Covered Jar with Horn Handle (lid) at the Cleveland Museum of Art: 400s–500s CE, red earthenware with impressed designs and applied red slip. Explore the work's context, creator attribution and collection history.

Sacrifice at the Cleveland Museum of Art: c. 1775–76, etching and aquatint printed in black and brown, heightened with white gouache. Explore the work's context, creator attribution and collection history.

Farm with Trees in a Hilly Landscape at the Cleveland Museum of Art: 1567, pen and brown ink (iron gall). Explore the work's context, creator attribution and collection history.

Farm with Trees in a Hilly Landscape (recto) at the Cleveland Museum of Art: 1567, pen and brown ink (iron gall). Explore the work's context, creator attribution and collection history.

Figures Seated by a Lake in a Wooded Landscape at the Cleveland Museum of Art: 1820, brown wash and point of brush with graphite underdrawing. Explore the work's context, creator attribution and collection history.

A Man Playing a Harp with other Figures beside a Lake at the Cleveland Museum of Art: 1820, brown wash with graphite. Explore the work's context, creator attribution and collection history.

Mr. Leroux in the Role of Alceste in Le Misanthrope at the Cleveland Museum of Art: mid-1850s, albumen print from wax paper negative. Explore the work's context, creator attribution and collection history.

Algerian Woman at the Cleveland Museum of Art: late 1850s, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Head of a Bull at the Cleveland Museum of Art: 3000–2000 BCE, chalcedony. Explore the work's context, creator attribution and collection history.

Lidded Cup with Strap Handles at the Cleveland Museum of Art: 300s–400s CE, stoneware with natural ash glaze. Explore the work's context, creator attribution and collection history.

Lidded Cup with Strap Handles at the Cleveland Museum of Art: 300s–400s CE, stoneware with natural ash glaze. Explore the work's context, creator attribution and collection history.

Lidded Cup with Strap Handles (lid) at the Cleveland Museum of Art: 300s–400s CE, stoneware with natural ash glaze. Explore the work's context, creator attribution and collection history.

Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan at the Cleveland Museum of Art: 1468, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

Flowering Crab Apple at the Cleveland Museum of Art: 1500, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

Old Trees by a Wintry Brook at the Cleveland Museum of Art: 1551, hanging scroll, ink and light color on paper. Explore the work's context, creator attribution and collection history.

Hercules Resting (recto); Footed Vessel with Handle (verso) at the Cleveland Museum of Art: 1595–97, black chalk heightened with white, squared in black chalk on right, incised (edges of figure). Explore the work's context, creator attribut

Hercules Resting (recto) at the Cleveland Museum of Art: 1595–97, black chalk heightened with white, squared in black chalk on right, incised (edges of figure). Explore the work's context, creator attribution and collection history.

Footed Vessel with Handle (verso) at the Cleveland Museum of Art: 1595–97, black chalk. Explore the work's context, creator attribution and collection history.

St. Sebastian at the Cleveland Museum of Art: 1626–30, red chalk with pen and brown ink. Explore the work's context, creator attribution and collection history.

A Bad Night, Plate 36 at the Cleveland Museum of Art: 1799, etching and aquatint. Explore the work's context, creator attribution and collection history.

Self-Portrait in Painting Studio at the Cleveland Museum of Art: c. 1843, daguerreotype (full-plate). Explore the work's context, creator attribution and collection history.

Fire Screen at the Cleveland Museum of Art: c. 1878–80, gilded wood, painted and gilded wood panels, brocaded silk, embossed paper. Explore the work's context, creator attribution and collection history.

Deer Effigy Vessel at the Cleveland Museum of Art: 250–600 CE, earthenware. Explore the work's context, creator attribution and collection history.

Bridgenorth, Shropshire at the Cleveland Museum of Art: c. 1790, watercolor over graphite. Explore the work's context, creator attribution and collection history.

Portrait of General Keith MacAlister at the Cleveland Museum of Art: c. 1800–1810, watercolor and graphite, heightened with traces of white gouache, on paper. Explore the work's context, creator attribution and collection history.

Portrait of Miss Mary Tadman at the Cleveland Museum of Art: 1809, watercolor and graphite, heightened with traces of white gouache on paper. Explore the work's context, creator attribution and collection history.

Portrait of Sir Captain West of the Dutton Indiaman at the Cleveland Museum of Art: 1785, watercolor over traces of black chalk, with metallic gold paint on laid paper. Explore the work's context, creator attribution and collection history.

Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India at the Cleveland Museum of Art: 1787, watercolor and gouache heightened with white gouache on paper. Explore the work's context, creator attribution and collection hist