Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Fanciful Costumes: Costume of the Astrologer at the Cleveland Museum of Art: c. 1690, etching and engraving. Explore the work's context, creator attribution and collection history.
Fanciful Costumes: Costume of the Fireworks Maker at the Cleveland Museum of Art: c. 1690, etching and engraving. Explore the work's context, creator attribution and collection history.
The Optical Viewer at the Cleveland Museum of Art: c. 1793, Chalk-manner etching and engraving. Explore the work's context, creator attribution and collection history.
The Indiscretion at the Cleveland Museum of Art: 1788, Color wash-manner engraving and etching. Explore the work's context, creator attribution and collection history.
The Temple of Isis at Pompeii at the Cleveland Museum of Art: 1788, etching, hand colored with watercolor. Explore the work's context, creator attribution and collection history.
Libation Cup at the Cleveland Museum of Art: c. 235–185 BCE, bronze, lost wax technique. Explore the work's context, creator attribution and collection history.
Brocaded velvet with medallions in ogival lattice at the Cleveland Museum of Art: late 1500s, Silk: velvet, brocaded; gilt- and silver-metal thread. Explore the work's context, creator attribution and collection history.
Centerpiece at the Cleveland Museum of Art: c. 1880, glass with gilt metal mounts. Explore the work's context, creator attribution and collection history.
House in Pau at the Cleveland Museum of Art: 1854, salted paper print from a paper negative. Explore the work's context, creator attribution and collection history.
Beach Study (verso) at the Cleveland Museum of Art: c. 1910, oil on panel. Explore the work's context, creator attribution and collection history.
Calligraphy in Running Style based on Wang Bo's Essay on Tengwang Pavilion at the Cleveland Museum of Art: 1811, handscroll, ink on paper. Explore the work's context, creator attribution and collection history.
Krishna Lifting Mount Govardhan at the Cleveland Museum of Art: c. 1780–90, gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Samson Taken by the Philistines in Delilah's House at the Cleveland Museum of Art: 1767, chalk-manner etching and engraving printed in black and white on blue paper. Explore the work's context, creator attribution and collection history.
Sacred Conversation at the Cleveland Museum of Art: 1540s, etching. Explore the work's context, creator attribution and collection history.
Mother with Two Children at the Cleveland Museum of Art: c. 1855, salted paper print from a collodion negative. Explore the work's context, creator attribution and collection history.
Portrait of Victor Hugo on Guernsey at the Cleveland Museum of Art: 1862, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Sunshine in an Interior at the Cleveland Museum of Art: 1920, mezzotint. Explore the work's context, creator attribution and collection history.
Leaf from a Latin Bible: Initial P with St. Paul Holding a Sword (St. Paul's Epistle to the Ephesians) at the Cleveland Museum of Art: c. 1250, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection
The Jungfrau at the Cleveland Museum of Art: 1892, woodcut. Explore the work's context, creator attribution and collection history.
The Port at San Remo at the Cleveland Museum of Art: 1878, etching. Explore the work's context, creator attribution and collection history.
Kausa Ragaputra of Malkos, from a Ragamala at the Cleveland Museum of Art: c. 1750, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Belt Buckle at the Cleveland Museum of Art: c. 525–560, bronze with garnets, glass, mother of pearl, gold foil, traces of gilding; bronze and glass. Explore the work's context, creator attribution and collection history.
Layered Peaks and Splashing Waterfall: Portrait of Hua Yan as a Young Man at the Cleveland Museum of Art: 1705, Hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Standing Cup and Cover at the Cleveland Museum of Art: 1844, porcelain. Explore the work's context, creator attribution and collection history.
Standing Cup at the Cleveland Museum of Art: 1844, porcelain. Explore the work's context, creator attribution and collection history.
Cover for a Standing Cup at the Cleveland Museum of Art: 1844, porcelain. Explore the work's context, creator attribution and collection history.
Portrait of Sardar Singh (Son of Savant Singh, 1730–68) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Pedestalled Dish at the Cleveland Museum of Art: c. 1000–500 BCE, burnished earthenware with carved and impressed decoration. Explore the work's context, creator attribution and collection history.
Fountaine de la Sophie, Constantinople at the Cleveland Museum of Art: c. 1854, salted paper print from paper negative. Explore the work's context, creator attribution and collection history.
Portrait of Giacomo Meyerbeer (1791–1864) at the Cleveland Museum of Art: 1857, salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Hoyshaleshvara Temple Sculpture, Halebidu (Halebeedu) at the Cleveland Museum of Art: 1856–57, albumenized salt print from waxed paper negative. Explore the work's context, creator attribution and collection history.
The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf Excised from the Tarleton Hours: Christ Carrying the Cross at the Cleveland Museum of Art: c. 1430, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin) at the Cleveland Museum of Art: c. 1460–70, ink, tempera and gold on vellum. Explore the work
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves) at the Cleveland Museum of Art: c. 1510, ink, tempera, an
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) at the Cleveland Museum of Art: c. 1510, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attr
Leaf from a Book of Hours: Text with Illustrated Border (verso) at the Cleveland Museum of Art: c. 1510, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
The Annunciation (Matins, Office of the Virgin): Leaf from a Book of Hours (1 of 3 Excised Leaves) at the Cleveland Museum of Art: c. 1530–35, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and coll
Jina (Tirthankara) at the Cleveland Museum of Art: 900s–1000s, bronze with silver inlay. Explore the work's context, creator attribution and collection history.