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Lifestyle archive — Page 78

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A Strange Juggler (1885; Cleveland 1927.344.5)

A Strange Juggler (1885): Art, History and Details

A Strange Juggler at the Cleveland Museum of Art: 1885, lithograph on China paper laid on wove paper. Explore the work's context, creator attribution and collection history.

Upon Awakening I Saw the Goddess of the Intelligible with Her Severe and Hard Profile (1885; Cleveland 1927.344.6)

Upon Awakening I Saw the Goddess of the Intelligible with Her Severe and Hard Profile (1885): Art, History and Details

Upon Awakening I Saw the Goddess of the Intelligible with Her Severe and Hard Profile at the Cleveland Museum of Art: 1885, lithograph on China paper laid on wove paper. Explore the work's context, creator attribution and collection history

Return of the Prodigal Son (c. 1510; Cleveland 1927.361)

Return of the Prodigal Son (c. 1510): Art, History and Details

Return of the Prodigal Son at the Cleveland Museum of Art: c. 1510, engraving. Explore the work's context, creator attribution and collection history.

Cover (1885; Cleveland 1927.344.7)

Cover (1885): Art, History and Details

Cover at the Cleveland Museum of Art: 1885, lithograph on China paper laid on wove paper. Explore the work's context, creator attribution and collection history.

Shaped horse trapping (1600s; Cleveland 1927.376)

Shaped horse trapping (1600s): Art, History and Details

Shaped horse trapping at the Cleveland Museum of Art: 1600s, velvet, brocaded and pile warp substitution: silk and gilt-metal thread. Explore the work's context, creator attribution and collection history.

Alhambra hanging fragment with decorated bands (1300s; Cleveland 1927.378)

Alhambra hanging fragment with decorated bands (1300s): Art, History and Details

Alhambra hanging fragment with decorated bands at the Cleveland Museum of Art: 1300s, Silk: lampas and taqueté weave. Explore the work's context, creator attribution and collection history.

Torso of a Woman (100 BCE–400 CE, or modern, before 1927?; Cleveland 1927.383)

Torso of a Woman (100 BCE–400 CE, or modern, before 1927?): Art, History and Details

Torso of a Woman at the Cleveland Museum of Art: 100 BCE–400 CE, or modern, before 1927?, marble. Explore the work's context, creator attribution and collection history.

A Winter Sky (1866; Cleveland 1927.388)

A Winter Sky (1866): Art, History and Details

A Winter Sky at the Cleveland Museum of Art: 1866, oil on canvas. Explore the work's context, creator attribution and collection history.

Elizabeth Shewell West and Her Son, Raphael (c. 1770; Cleveland 1927.393)

Elizabeth Shewell West and Her Son, Raphael (c. 1770): Art, History and Details

Elizabeth Shewell West and Her Son, Raphael at the Cleveland Museum of Art: c. 1770, oil on canvas. Explore the work's context, creator attribution and collection history.

Dr. James Stuart; Mary Campbell Stuart (c. 1815; Cleveland 1927.394)

Dr. James Stuart; Mary Campbell Stuart (c. 1815): Art, History and Details

Dr. James Stuart; Mary Campbell Stuart at the Cleveland Museum of Art: c. 1815, oil on wood. Explore the work's context, creator attribution and collection history.

Mary Campbell Stuart (c. 1815; Cleveland 1927.394.2)

Mary Campbell Stuart (c. 1815): Art, History and Details

Mary Campbell Stuart at the Cleveland Museum of Art: c. 1815, oil on wood. Explore the work's context, creator attribution and collection history.

Pair of Graduals: Initial (M) with St. Andrew (recto) and Mass for the Dead (recto) (c. 1480; Cleveland 1927.425)

Pair of Graduals: Initial (M) with St. Andrew (recto) and Mass for the Dead (recto) (c. 1480): Art, History and Details

Pair of Graduals: Initial (M) with St. Andrew (recto) and Mass for the Dead (recto) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Initial (M) with St. Andrew (recto) (c. 1480; Cleveland 1927.425.1.a)

Leaf from a Gradual: Initial (M) with St. Andrew (recto) (c. 1480): Art, History and Details

Leaf from a Gradual: Initial (M) with St. Andrew (recto) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Decorated Initial (verso) (c. 1480; Cleveland 1927.425.1.b)

Leaf from a Gradual: Decorated Initial (verso) (c. 1480): Art, History and Details

Leaf from a Gradual: Decorated Initial (verso) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Initial (R) with Mass for the Dead (recto) (c. 1480; Cleveland 1927.425.2.a)

Leaf from a Gradual: Initial (R) with Mass for the Dead (recto) (c. 1480): Art, History and Details

Leaf from a Gradual: Initial (R) with Mass for the Dead (recto) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses (1888; Cleveland 1927.477.2)

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses (1888): Art, History and Details

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection hi

It Is the Devil, Bearing Beneath His Two Wings the Seven Deadly Sins (1888; Cleveland 1927.477.3)

It Is the Devil, Bearing Beneath His Two Wings the Seven Deadly Sins (1888): Art, History and Details

It Is the Devil, Bearing Beneath His Two Wings the Seven Deadly Sins at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair (1888; Cleveland 1927.477.4)

And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair (1888): Art, History and Details

And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

He Raises the Bronze Urn (1888; Cleveland 1927.477.5)

He Raises the Bronze Urn (1888): Art, History and Details

He Raises the Bronze Urn at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

Then There Appears a Singular Being, Having the Head of a Man on the Body of a Fish (1888; Cleveland 1927.477.6)

Then There Appears a Singular Being, Having the Head of a Man on the Body of a Fish (1888): Art, History and Details

Then There Appears a Singular Being, Having the Head of a Man on the Body of a Fish at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness (1888; Cleveland 1927.477.7)

It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness (1888): Art, History and Details

It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

The Chimera with Green Eyes Turns, Bays (1888; Cleveland 1927.477.8)

The Chimera with Green Eyes Turns, Bays (1888): Art, History and Details

The Chimera with Green Eyes Turns, Bays at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

And All Manner of Frightful Creatures Arise (1888; Cleveland 1927.477.9)

And All Manner of Frightful Creatures Arise (1888): Art, History and Details

And All Manner of Frightful Creatures Arise at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

Everywhere Eyeballs are Aflame (1888; Cleveland 1927.477.10)

Everywhere Eyeballs are Aflame (1888): Art, History and Details

Everywhere Eyeballs are Aflame at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

And In the Very Disk of the Sun Shines the Face of Jesus Christ (1888; Cleveland 1927.477.11)

And In the Very Disk of the Sun Shines the Face of Jesus Christ (1888): Art, History and Details

And In the Very Disk of the Sun Shines the Face of Jesus Christ at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Decorated Initial (verso) (c. 1480; Cleveland 1927.425.2.b)

Leaf from a Gradual: Decorated Initial (verso) (c. 1480): Art, History and Details

Leaf from a Gradual: Decorated Initial (verso) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Portrait of Georg Knauer (1537; Cleveland 1927.427)

Portrait of Georg Knauer (1537): Art, History and Details

Portrait of Georg Knauer at the Cleveland Museum of Art: 1537, pearwood. Explore the work's context, creator attribution and collection history.

Black-Figure Amphora (Type B; Storage Vessel): Battling Warriors (A); Dionysos and Satyrs (B) (c. 530–520 BCE; Cleveland 1927.433)

Black-Figure Amphora (Type B; Storage Vessel): Battling Warriors (A); Dionysos and Satyrs (B) (c. 530–520 BCE): Art, History and Details

Black-Figure Amphora (Type B; Storage Vessel): Battling Warriors (A); Dionysos and Satyrs (B) at the Cleveland Museum of Art: c. 530–520 BCE, ceramic. Explore the work's context, creator attribution and collection history.

White-Ground Lekythos (Oil Vessel): Mourners at Tomb (c. 400s BCE, with modern painting; Cleveland 1927.434)

White-Ground Lekythos (Oil Vessel): Mourners at Tomb (c. 400s BCE, with modern painting): Art, History and Details

White-Ground Lekythos (Oil Vessel): Mourners at Tomb at the Cleveland Museum of Art: c. 400s BCE, with modern painting, ceramic. Explore the work's context, creator attribution and collection history.

Relief of Striding Warriors (300–200 BCE; Cleveland 1927.436)

Relief of Striding Warriors (300–200 BCE): Art, History and Details

Relief of Striding Warriors at the Cleveland Museum of Art: 300–200 BCE, limestone. Explore the work's context, creator attribution and collection history.

Madame Désiré Raoul-Rochette (1830; Cleveland 1927.437)

Madame Désiré Raoul-Rochette (1830): Art, History and Details

Madame Désiré Raoul-Rochette at the Cleveland Museum of Art: 1830, graphite on cream wove paper. Explore the work's context, creator attribution and collection history.

Cover (1888; Cleveland 1927.477.1)

Cover (1888): Art, History and Details

Cover at the Cleveland Museum of Art: 1888, lithograph. Explore the work's context, creator attribution and collection history.

Story of Perseus and Andromeda (early 1500s; Cleveland 1927.487)

Story of Perseus and Andromeda (early 1500s): Art, History and Details

Story of Perseus and Andromeda at the Cleveland Museum of Art: early 1500s, tapestry weave: wool and silk. Explore the work's context, creator attribution and collection history.

Aphrodite (400–200 BCE; Cleveland 1927.489)

Aphrodite (400–200 BCE): Art, History and Details

Aphrodite at the Cleveland Museum of Art: 400–200 BCE, terracotta. Explore the work's context, creator attribution and collection history.

The Biglin Brothers Turning the Stake (1873; Cleveland 1927.1984)

The Biglin Brothers Turning the Stake (1873): Art, History and Details

The Biglin Brothers Turning the Stake at the Cleveland Museum of Art: 1873, oil on canvas. Explore the work's context, creator attribution and collection history.

The Temptation of Saint Anthony (First Series) (1888; Cleveland 1927.477)

The Temptation of Saint Anthony (First Series) (1888): Art, History and Details

The Temptation of Saint Anthony (First Series) at the Cleveland Museum of Art: 1888, ten lithographs. Explore the work's context, creator attribution and collection history.

Lace Fichu (1800s; Cleveland 1928.10)

Lace Fichu (1800s): Art, History and Details

Lace Fichu at the Cleveland Museum of Art: 1800s, Plain weave piña cloth: needle lace and embroidery. Explore the work's context, creator attribution and collection history.

Lace Border (1800s; Cleveland 1928.11)

Lace Border (1800s): Art, History and Details

Lace Border at the Cleveland Museum of Art: 1800s, Plain weave piña cloth: needle lace and embroidery. Explore the work's context, creator attribution and collection history.

View of the Acqua Acetosa (recto); David and Goliath (verso) (c. 1645; Cleveland 1928.15)

View of the Acqua Acetosa (recto); David and Goliath (verso) (c. 1645): Art, History and Details

View of the Acqua Acetosa (recto); David and Goliath (verso) at the Cleveland Museum of Art: c. 1645, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink. Explore the work's context, creator attribution and

View of the Acqua Acetosa (recto) (c. 1645; Cleveland 1928.15.a)

View of the Acqua Acetosa (recto) (c. 1645): Art, History and Details

View of the Acqua Acetosa (recto) at the Cleveland Museum of Art: c. 1645, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink. Explore the work's context, creator attribution and collection history.