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Apples and Pomegranates (first half of the 1700s): Art, History and Details

Apples and Pomegranates at the Cleveland Museum of Art: first half of the 1700s, Polychrome woodblock print; ink and color on paper. Explore the work's context, creator attribution and collection history.

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Apples and Pomegranates (first half of the 1700s; Cleveland 2025.114)
Cleveland Museum of Art; Purchase from the J. H. Wade Fund · CC0 1.0 / Public Domain

Apples and Pomegranates (first half of the 1700s) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

In the 1600s, printing flourished in such Jiangnan cities as Nanjing, Suzhou, Hangzhou, and Huizhou, evolving from privately enjoyed illustrated books printed in color to more commercialized single-sheet color prints that were hung on walls and became part of the rich urban visual culture.

Object facts

  • Title: Apples and Pomegranates
  • Date: first half of the 1700s
  • Culture: China, Suzhou, Qing dynasty (1644–1911)
  • Type: Print
  • Technique: Polychrome woodblock print; ink and color on paper
  • Dimensions: 30.3 x 37.7 cm (11 15/16 x 14 13/16 in.)
  • Collection: China - Qing Dynasty
  • Department: Chinese Art
  • Accession number: 2025.114

A detail from the museum

Woodblock printing in color reached a height in China in the 1600s to 1700s. The prints were executed by means of sets of separate blocks, each carved to print a different color.

Collection credit

Purchase from the J. H. Wade Fund

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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