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Covered Cup with Grape Festoon (mid-1500s): Art, History and Details

Covered Cup with Grape Festoon at the Cleveland Museum of Art: mid-1500s, etching. Explore the work's context, creator attribution and collection history.

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Covered Cup with Grape Festoon (mid-1500s; Cleveland 1932.317)
Cleveland Museum of Art; Gift of The Print Club of Cleveland · CC0 1.0 / Public Domain

Covered Cup with Grape Festoon (mid-1500s) is in the Cleveland Museum of Art collection. The museum's creator attribution is Antonio Fantuzzi (Italian, c. 1510-c. 1550).

The work and its context

The museum's open-access catalogue describes the work:

When the French king Francis I (reigned 1515–47) decided to renovate his hunting lodge at Fontainebleau, near Paris, he set the stage for the development of Mannerism in France. In the early 1530s, Francis I successfully lured the Italian artists Rosso Fiorentino (1495–1540) and Francesco Primaticcio (1504/5–1570) to Fontainebleau to participate in its redecoration. The most influential project at Fontainebleau was the long corridor now known as the Gallery of Francis I. Here, Rosso developed an innovative system of wall decoration that combined painting with stucco sculpture in high relief. The type of art that began to flourish under Rosso and Primaticcio in the 1530s is known today as the School of Fontainebleau. The term also refers to a stylistically coherent group of etchings and engravings. Many of these are important records of now lost decorations created at the chateau.

Object facts

  • Title: Covered Cup with Grape Festoon
  • Date: mid-1500s
  • Creator attribution: Antonio Fantuzzi (Italian, c. 1510-c. 1550)
  • Culture: France?, 16th century (?)
  • Type: Print
  • Technique: etching
  • Dimensions: Platemark: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); Sheet: 33.3 x 25.5 cm (13 1/8 x 10 1/16 in.)
  • Collection: PR - Etching
  • Department: Prints
  • Accession number: 1932.317

A detail from the museum

This print was made with etching, a printmaking technique in which designs are bitten into a metal plate using a corrosive acid.

Collection credit

Gift of The Print Club of Cleveland

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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