Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk (1848): Art, History and Details

Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk (1848) is in the Cleveland Museum of Art collection. The museum's creator attribution is Louis Haghe (British, 1806–1885); F. G. Moon, 20 Threadneedle Street, London; David Roberts (Scottish, 1796–1864).

The work and its context

The museum's open-access catalogue describes the work:

By the mid-19th century, the complexities of printing in numerous colors had been mastered, culminating in one of the high points of European printmaking. The plates drawn by Haghe, which copy the watercolors that David Roberts made in Egypt, are exquisite examples of color lithography. Egypt was a distant, mysterious country for Europeans and Haghe, a Scottish topographical and architectural artist who spent the year of 1838 traveling across this ancient land. The resulting prints—the first comprehensive series of views of the monuments, landscapes, and people of the Near East—were especially appreciated for their brilliant color and large scale.

Object facts

• Title: Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk
• Date: 1848
• Creator attribution: Louis Haghe (British, 1806–1885); F. G. Moon, 20 Threadneedle Street, London; David Roberts (Scottish, 1796–1864)
• Culture: England, 19th century
• Type: Print
• Technique: color lithograph
• Dimensions: Sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); Image: 32.7 x 49 cm (12 7/8 x 19 5/16 in.)
• Collection: PR - Lithograph
• Department: Prints
• Accession number: 2012.151

Collection credit

Bequest of John Bonebrake

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.