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Enthroned planetary deity (850–75): Art, History and Details

Enthroned planetary deity at the Cleveland Museum of Art: 850–75, Sandstone. Explore the work's context, creator attribution and collection history.

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Enthroned planetary deity (850–75; Cleveland 1935.147)
Cleveland Museum of Art; Edward L. Whittemore Fund · CC0 1.0 / Public Domain

Enthroned planetary deity (850–75) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Enthroned Planetary Deity is a powerful presence about three feet tall, made of a light-colored sandstone. He is a personification of one of the nine planets that protected a Buddhist temple; the short dagger in his left hand along with the mustache and stylized furrowed brow refer to his role as a fierce protector. His posture is that of royal ease, and his crown, massive earrings, and throne also mark him as a king of the heavens. The mark on his forehead refers to his association with enlightened beings. The meaning of a planetary deity as a guardian pertains to the consecration of the temple at a time when the planets were correctly aligned with the stars, so that the site and devotees will be protected from misfortune. The “face of glory” (kirtimukha) on the carved relief panel in front of his pedestal is an image pertaining to the creative energy (shakti) that is emitted from the temple itself; it spits jewels and vegetal motifs that connote abundance and prosperity that will accrue to the worshipers who come to the temple. This sculpture is one of the rare surviving examples from the Cham culture of central and southern Vietnam. It is documented to have come from the Dong Duong monastery, dedicated to Mahayana Buddhism.

Object facts

  • Title: Enthroned planetary deity
  • Date: 850–75
  • Culture: Central Vietnam (Champa), Quang Nam province, Dong Duong monastery
  • Type: Sculpture
  • Technique: Sandstone
  • Dimensions: Overall: 86.5 x 37.5 cm (34 1/16 x 14 3/4 in.)
  • Collection: Southeast Asian
  • Department: Indian and Southeast Asian Art
  • Accession number: 1935.147

A detail from the museum

Sanskrit dedicatory inscriptions show that the temple and monastery complex at Dong Duong founded in 875.

Collection credit

Edward L. Whittemore Fund

Further reading listed by the museum

  • Hollis, Howard. "A Cham Sculpture." The Bulletin of the Cleveland Museum of Art 22, no. 8 (October 1935): 127-129
  • Milliken, William. "Silver Jubilee Exhibition." The Bulletin of the Cleveland Museum of Art 28, no.6 (June 1941): 88-108
  • The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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