Entrance of the Palace of the Padishahs, Delhi (1865–68, published 1869–70): Art, History and Details
Entrance of the Palace of the Padishahs, Delhi at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

Entrance of the Palace of the Padishahs, Delhi (1865–68, published 1869–70) is in the Cleveland Museum of Art collection. The museum's creator attribution is Louis-Théophile Marie Rousselet (French, 1845–1929).
The work and its context
The museum's open-access catalogue describes the work:
Concerned that his drawings did not do justice to the splendor of India’s monuments, Rousselet learned photography in India that year, a remarkable accomplishment. He proved to be a talented photographer with a sophisticated sense of composition. The scenes in this volume sweep across sites of Sultanate, Rajput, and Mughal power in northern India, from the sacred Hindu city of Varanasi on the Ganges River to Alwar in Rajasthan. Also included are several scenes of industry and portraits of Indian rulers.
Object facts
- Title: Entrance of the Palace of the Padishahs, Delhi
- Date: 1865–68, published 1869–70
- Creator attribution: Louis-Théophile Marie Rousselet (French, 1845–1929)
- Culture: France, 19th century
- Type: Photograph
- Technique: Albumen print from glass plate negative
- Dimensions: Mounted: 62 x 43 cm (24 7/16 x 16 15/16 in.)
- Collection: PH - French 19th Century
- Department: Photography
- Accession number: 2022.58.12
A detail from the museum
Louis Rousselet described himself as a “scientific traveler” when he went to India alone at age 18 in 1863 and stayed into 1868
Collection credit
Alma Kroeger Fund
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



