Mirror with Pair of Cranes in Chrysanthemum Pattern (1392–1573): Art, History and Details

Mirror with Pair of Cranes in Chrysanthemum Pattern (1392–1573) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem "Drinking Wine" by Tao Yuanming (AD 365-427). Here, the mirror featuring Buddhist iconography (kyojo) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.

Object facts

• Title: Mirror with Pair of Cranes in Chrysanthemum Pattern
• Date: 1392–1573
• Culture: Japan, Muromachi period (1392–1573)
• Type: Metalwork
• Technique: bronze
• Dimensions: Diameter: 11.8 cm (4 5/8 in.)
• Collection: Japanese Art
• Department: Japanese Art
• Accession number: 1917.656

Collection credit

Gift of D. Z. Norton

Further reading listed by the museum

• "Accessions." The Bulletin of the Cleveland Museum of Art 4, no. 4 (1917): 64-67.
• Cleveland Museum of Art, and Sŏn Sŭng-hye. The Lure of Painted Poetry: Japanese and Korean Art. Cleveland: Cleveland Museum of Art, 2011.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.