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Mother-and-Child Figure (late 1800s–early 1900s): Art, History and Details

Mother-and-Child Figure at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, glass beads, upholstery studs, natural fiber, and pigment. Explore the work's context, creator attribution and collection history.

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Mother-and-Child Figure (late 1800s–early 1900s; Cleveland 1931.426)
Cleveland Museum of Art; Gift of the African Art Sponsors of Karamu House · CC0 1.0 / Public Domain

Mother-and-Child Figure (late 1800s–early 1900s) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Wearing an elaborate lobed headdress and a beaded waistbelt, and having filed teeth and red-powdered skin, this maternity figure seems to have once carried an ax and a cup, wooden imitations of the two most important chiefly attributes. Perhaps together with a male counterpart, it was secretly kept inside the ritual house, serving as a guardian of the chief’s treasure. Its style places it in the westernmost corner of Pendeland, between the Lutshima and Kwilu rivers.

Object facts

  • Title: Mother-and-Child Figure
  • Date: late 1800s–early 1900s
  • Culture: Africa, Central Africa, Democratic Republic of Congo, Pende-style maker
  • Type: Sculpture
  • Technique: Wood, glass beads, upholstery studs, natural fiber, and pigment
  • Dimensions: Overall: 53.4 x 13.1 x 14.6 cm (21 x 5 3/16 x 5 3/4 in.)
  • Collection: African Art
  • Department: African Art
  • Accession number: 1931.426

A detail from the museum

Eastern Pende carvers also once made larger mother-and-child sculptures to adorn the tops of chiefs' ritual houses.

Collection credit

Gift of the African Art Sponsors of Karamu House

Further reading listed by the museum

  • Wixom, William D. "African Art in the Cleveland Museum of Art." African Arts 10, no. 3 (1977): 16-25, 88, pp. 16-24, repr., fig. 10 (center).
  • "Three Pieces of Negro Sculpture." The Bulletin of the Cleveland Museum of Art 19, no. 3 (March 1932): 38-39.
  • Petridis, Constantine. “Mbala, Tsaam, or Kwilu Pende? A Mother-and-Child Figure from the Kwango-Kwilu Region of the Democratic Republic of the Congo.” Cleveland Studies in the History of Art 7 (2002): 126–141.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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