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Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600): Art, History and Details

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, Opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

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Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600; Cleveland 1960.199.a)
Cleveland Museum of Art; Gift of John C. Heege · CC0 1.0 / Public Domain

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Iran was losing a battle against Turan and the armies of its assembled allies from India and China. The hero Rustam arrived to pull the Iranian army back from the brink of destruction, slaying the enemy warrior Ashkabus on foot while allowing his horse Rakhsh to rest after a long, hard journey. The vast number of armies involved in the battle is indicated by the many banners that extend beyond the illustration’s top border. The painting on the verso was probably produced at Shiraz, one of Iran’s major cultural centers, far to the south of the Safavid capital of Tabriz. Artists and works of art moved back and forth steadily between Shiraz and the Deccan in southwestern India during the 1500s and 1600s. The section of the Shah-nama written on the recto is famous for the clever conversational repartee between Rustam and his opponent Ashkabus. When Ashkabus remarked that in choosing not to ride a horse Rustam had signed his own death warrant, Rustam retorted, “Would it be the case then that in your country . . . lions, tigers, and crocodiles [all] ride on horses to battle?” Rustam then brought down the horse of Ashkabus with a single arrow; his next arrow pierced Ashkabus in the chest.

Object facts

  • Title: Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
  • Date: c. 1590–1600
  • Culture: Iran, Shiraz, Safavid period (1501-1722)
  • Type: Manuscript
  • Technique: Opaque watercolor, ink, and gold on paper
  • Dimensions: Image: 25.4 x 15.7 cm (10 x 6 3/16 in.); Overall: 31 x 20.1 cm (12 3/16 x 7 15/16 in.); Text area: 21 x 13.5 cm (8 1/4 x 5 5/16 in.)
  • Collection: Islamic Art
  • Department: Islamic Art
  • Accession number: 1960.199.a

Collection credit

Gift of John C. Heege

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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