Poros Assailed by the Macedonian Army (recto) (c. 1545/47): Art, History and Details

Poros Assailed by the Macedonian Army (recto) (c. 1545/47) is in the Cleveland Museum of Art collection. The museum's creator attribution is Perino del Vaga (Italian, 1501–1547).

The work and its context

The museum's open-access catalogue describes the work:

Perino del Vaga made this spirited pen and ink and wash drawing as a preliminary sketch for a fresco cycle depicting the military campaigns of Alexander the Great, intended for the apartments of Pope Paul III in the Castel Sant’Angelo in Rome. At the time, he was also working on commissions at the Vatican Palace where he studied and drew from the frescoes of Michelangelo in the Sistine Chapel. One pose in the drawing, that of the man in front who, sword poised over his head, prepares to strike a man below, was probably inspired by Michelangelo’s rendering of David and Goliath on the ceiling. Perino adapted the violent pose for a military rather than biblical subject, filling out the scene with trumpeting elephants and a pile of soldiers in combat. On the verso of the sheet, Perino drew a quick sketch of a standing camel and another, closer view of the animal's head and legs.

Object facts

• Title: Poros Assailed by the Macedonian Army (recto)
• Date: c. 1545/47
• Creator attribution: Perino del Vaga (Italian, 1501–1547)
• Culture: Italy
• Type: Drawing
• Technique: pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint
• Dimensions: Sheet: 19.3 x 27.4 cm (7 5/8 x 10 13/16 in.); Secondary Support: 22.5 x 30.5 cm (8 7/8 x 12 in.)
• Collection: DR - Italian
• Department: Drawings
• Accession number: 1992.3.a

A detail from the museum

This artist was in Rome in 1527 when the troops of Charles V sacked the city, and was imprisoned and forced to pay a heavy ransom for his, his wife's, and his daughter's safe release.

Collection credit

Delia E. Holden and L. E. Holden Funds

Further reading listed by the museum

• Turner, Evan H. "The Year in Review for 1992." The Bulletin of the Cleveland Museum of Art 80, no. 2 (1993): 38-79.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.