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Ritual Mace (early 1400s): Art, History and Details

Ritual Mace at the Cleveland Museum of Art: early 1400s, iron alloy with gold inlay. Explore the work's context, creator attribution and collection history.

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Ritual Mace (early 1400s; Cleveland 1978.9.2)
Cleveland Museum of Art; John L. Severance Fund · CC0 1.0 / Public Domain

Ritual Mace (early 1400s) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Ceremonial weaponry was used in tantric rituals to combat obstacles to enlightenment, such as ignorance and uncontrolled passions. In 1407 a high-ranking Tibetan monastic patriarch visited the emperor of the Ming dynasty, known as Yongle. The Yongle emperor presented him with a number of gifts, of which the axe, mace, flaying knife, incense burner (1983.154), and the gilt bronze Virupa (1972.96) appear to have been a part, since the sculpture and the axe bear his identifying inscription in a cartouche. Imperial Chinese workmanship is noted in the lush rendering of the lion heads from which the blades emerge, the calligraphic serpentine forms, and the cloud motifs.

Object facts

  • Title: Ritual Mace
  • Date: early 1400s
  • Culture: Sino-Tibetan, Derge School, Yongle period (1403-1427)
  • Type: Metalwork
  • Technique: iron alloy with gold inlay
  • Dimensions: Overall: 38.5 cm (15 3/16 in.)
  • Collection: Tibetan Art
  • Department: Indian and Southeast Asian Art
  • Accession number: 1978.9.2

Collection credit

John L. Severance Fund

Further reading listed by the museum

  • Huntington, John C., Dina Bangdel, and Robert A. F. Thurman. The Circle of Bliss: Buddhist Meditational Art. Chicago: Serindia Publications, 2003.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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