Sake Pourer with Flowers (1893–1914): Art, History and Details

Sake Pourer with Flowers (1893–1914) is in the Cleveland Museum of Art collection. The museum's creator attribution is Seifū Yohei III (Japanese, 1851–1914).

The work and its context

The museum's open-access catalogue describes the work:

This sake pourer is of a type called a chōshi. It is elaborately decorated with flowers in overglaze enamels in several colors, including black for the contour lines of leaves and stems; orange, white, gold, and two shades of green for the peonies; and purple for the thistles. The white blossoms have been built up with white enamel, then incised for a white-on-white eect; the orange and purple use an absence of color to produce the contours of individual petals. Yohei III referred to his works in multicolor overglaze enamels as “hundred flower brocades” (hyakka nishiki). Two small nyoi (C. ruyi) staff-head motifs, molded in clay and applied to either side of the lid, create handle rests, as well as natural places for the thumb and index finger of one hand to rest, so one can both secure the lid and steady the pour, while the handles are held in the other hand. The top of a nyoi staff resembles the curled cap of the reishi. Such scepters are imagined to be found in the hands of sages, Daoist immortals, or Buddhist deities and connote lofty goings-on and favorable circumstances. Since this sake pourer is unsigned, it may have been made for imperial family members to give as a gift.

Object facts

• Title: Sake Pourer with Flowers
• Date: 1893–1914
• Creator attribution: Seifū Yohei III (Japanese, 1851–1914)
• Culture: Japan, Meiji period (1868–1912)
• Type: Ceramic
• Technique: Porcelain with molded design, overglaze color enamel, and metal handles
• Dimensions: Diameter: 10.1 cm (4 in.); width with spout: 13.1 cm (5 3/16 in.); with handle: 14.4 cm (5 11/16 in.)
• Collection: Japanese Art
• Department: Japanese Art
• Accession number: 2022.161.a

A detail from the museum

This sake pourer with purple thistles and orange peonies shows off Seifū Yohei III’s technique of enamels painted over the glaze.

Collection credit

Gift of James and Christine Heusinger

Further reading listed by the museum

• "Colours of Kyoto, Ceramics From the Yohei Studio." The Asian Art Newspaper: Monthly for Collectors, Dealers, Museums and Galleries 27, no. 1 (November 2023): 8

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.