Square Shawl (c. 1850–70): Art, History and Details

Square Shawl (c. 1850–70) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

By the 1800s, the Himalayan foothill region of Kashmir was renowned for distinctive embroideries, and Kashmiri shawls were coveted by women throughout the British Empire. The center of this square shawl is in the form of an eight-petaled lotus, a symbol for the sun, and around it are the elongated forms of slender cypress trees, which became the inspiration for paisley. Every space is populated with figures: seated, standing, male, female, or playing musical instruments. Others are winged heavenly figures called peri. Birds are the only animals in these central spaces, suggesting a heavenly realm. In the next concentric ring riders in an equestrian procession alternate with flying birds. In the spandrels, the triangular sections between the circle and the square, are gatherings under a tent with animals. Some local Himalayan animals can be identified, such as the spotted snow leopard and the snake-eating markhor goat.

Object facts

• Title: Square Shawl
• Date: c. 1850–70
• Culture: India, Kashmir
• Type: Embroidery
• Technique: Silk and silver filé, wool: chain stitch embroidery
• Dimensions: Overall including fringe: 212.1 x 212.1 cm (83 1/2 x 83 1/2 in.)
• Collection: Textiles
• Department: Textiles
• Accession number: 1940.600

Collection credit

Bequest of James Parmelee

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.