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The Annunciation (c. 1457): Art, History and Details

The Annunciation at the Cleveland Museum of Art: c. 1457, oil, tempera, and gold on wood panel (fir). Explore the work's context, creator attribution and collection history.

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The Annunciation (c. 1457; Cleveland 1953.660.1)
Cleveland Museum of Art; Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn · CC0 1.0 / Public Domain

The Annunciation (c. 1457) is in the Cleveland Museum of Art collection. The museum's creator attribution is Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70).

The work and its context

The museum's open-access catalogue describes the work:

This and 1953.660.2 are believed to be the remaining components of a six-panel altarpiece. The large central panel is now preserved in Barcelona (Museu National d’Art de Catalunya). Ferrer collaborated with the painter Pere Garcia de Benavarri on this commission. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia) in the skies and the haloes, as well as other details. Here the archangel Gabriel proclaims the Virgin’s destiny as the mother of Christ. The setting is an ordinary house, but simple objects have symbolic meaning. The lilies represent the Virgin’s purity; the covered jar and water carafe symbolize inviolability; the pomegranate symbolizes Christ’s resurrection, while the apple alludes to humankind’s fall from grace. The towel and basin hint at ritual cleansing during Mass. The blown-out candle points to the arrival of divine light in the world. The two books, closed and open, refer respectively to the Old and New Testaments: one foretelling and the other fulfilling the promise of the messiah.

Object facts

  • Title: The Annunciation
  • Date: c. 1457
  • Creator attribution: Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70)
  • Culture: Spain, Catalonia, 15th century
  • Type: Painting
  • Technique: oil, tempera, and gold on wood panel (fir)
  • Dimensions: Framed: 186.5 x 139 x 14.5 cm (73 7/16 x 54 3/4 x 5 11/16 in.); Unframed: 172 x 124.7 cm (67 11/16 x 49 1/8 in.)
  • Collection: MED - Medieval Art
  • Department: Medieval Art
  • Accession number: 1953.660.1

Collection credit

Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn

Further reading listed by the museum

  • The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
  • The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
  • The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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