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The Domes, from the Sentinel Domes, Yosemite (c. 1865–1866): Art, History and Details

The Domes, from the Sentinel Domes, Yosemite at the Cleveland Museum of Art: c. 1865–1866, mammoth albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

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The Domes, from the Sentinel Domes, Yosemite (c. 1865–1866; Cleveland 2002.44)
Cleveland Museum of Art; John L. Severance Fund · CC0 1.0 / Public Domain

The Domes, from the Sentinel Domes, Yosemite (c. 1865–1866) is in the Cleveland Museum of Art collection. The museum's creator attribution is Carleton E. Watkins (American, 1829–1916).

The work and its context

The museum's open-access catalogue describes the work:

Although prolific in all types of commercial photography, Carleton Watkins was best known for his majestic images of Yosemite Valley. He first transported his mammoth-plate camera there in 1861 and returned many times to record America's natural treasure. Besides establishing aesthetic and technical standards of excellence for landscape photography, Watkins's work was instrumental in passing the 1864 Congressional bill enacted to protect Yosemite from development. In this panoramic view, he displayed elegantly curved rock formations in the foreground. The photograph was structured in overlapping planes, which effectively depicted the seemingly limitless gradations and undulations in the landscape. His skillful suggestion of atmospheric perspective made the mountains and trees appear less clearly visible in the background, enhancing the sense of a vast, pristine landscape.

Object facts

  • Title: The Domes, from the Sentinel Domes, Yosemite
  • Date: c. 1865–1866
  • Creator attribution: Carleton E. Watkins (American, 1829–1916)
  • Culture: America
  • Type: Photograph
  • Technique: mammoth albumen print from wet collodion negative
  • Dimensions: Image: 39.6 x 52.4 cm (15 9/16 x 20 5/8 in.); Mounted: 53.2 x 68.1 cm (20 15/16 x 26 13/16 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.)
  • Collection: Photography
  • Department: Photography
  • Accession number: 2002.44

Collection credit

John L. Severance Fund

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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