The Entombment (c. 1550s): Art, History and Details
The Entombment at the Cleveland Museum of Art: c. 1550s, woodcut. Explore the work's context, creator attribution and collection history.

The Entombment (c. 1550s) is in the Cleveland Museum of Art collection. The museum's creator attribution is Andrea Schiavone (Italian, c. 1500–1563).
The work and its context
The museum's open-access catalogue describes the work:
This woodcut represents an episode after the Crucifixion when Christ's followers bring his corpse to the tomb. A cavernous backdrop draws attention to the figures in the foreground where the savior's body, displaying wounds on its hands and feet, become the focus of the viewer's devotion. At left, three women care for the motionless Virgin whose collapsed body mirrors that of her dead son. Two bearded disciples—Joseph of Arimathea and Nicodemus—attend to the body. One removes the crown of thorns from Christ's head. In its place, a thin halo appears in reference to Christ's imminent resurrection.
Object facts
- Title: The Entombment
- Date: c. 1550s
- Creator attribution: Andrea Schiavone (Italian, c. 1500–1563)
- Culture: Italy
- Type: Print
- Technique: woodcut
- Dimensions: Sheet: 32.8 x 24.3 cm (12 15/16 x 9 9/16 in.); Image: 30.5 x 22.3 cm (12 x 8 3/4 in.)
- Collection: PR - Woodcut
- Department: Prints
- Accession number: 1973.130
Collection credit
Gift of The Print Club of Cleveland
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



