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The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night (c. 1560): Art, History and Details

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator att

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The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night (c. 1560; Cleveland 1962.279.232.b)
Cleveland Museum of Art; Gift of Mrs. A. Dean Perry · CC0 1.0 / Public Domain

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night (c. 1560) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

The king of Babylon, seated on a throne, receives the Brahman in the form of a woman and the magician in the form of a Brahman. The king agrees to keep the woman (the transformed Brahman) temporarily in his harem as a favor to the Brahman (the disguised magician). Scholars have identified this image as a portrait of Akbar, the third Mughal emperor of India, and the commissioner of this manuscript. He is thought to be identifying himself as the king of Babylon, regarded in the Islamic world as an ancient center of power and culture. In this story, however, the king fell victim to the trickery of his own daughter, her lover, and the magician, making one wonder why Akbar would choose to portray himself in this guise. The identification of this image as a portrait of Akbar remains unresolved.

Object facts

  • Title: The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
  • Date: c. 1560
  • Culture: Mughal India, court of Akbar (reigned 1556–1605)
  • Type: Painting
  • Technique: gum tempera, ink, and gold on paper
  • Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.)
  • Collection: Indian Art
  • Department: Indian and Southeast Asian Art
  • Accession number: 1962.279.232.b

A detail from the museum

The transformed Brahman, who is in the form of the woman, carries a magical bead in his mouth.

Collection credit

Gift of Mrs. A. Dean Perry

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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