The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night (c. 1560) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

While the lion is away, the monkey is put in charge of protecting his land. However, a family of lynx soon move into the lion’s den, claiming that they are the rightful owners. The text depicts the lion’s home as a beautiful meadow with a field of tulips.

Object facts

• Title: The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
• Date: c. 1560
• Culture: Mughal India, court of Akbar (reigned 1556–1605)
• Type: Painting
• Technique: gum tempera, ink, and gold on paper
• Dimensions: Painting only: 7.7 x 10.3 cm (3 1/16 x 4 1/16 in.); Overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.)
• Collection: Indian Art
• Department: Indian and Southeast Asian Art
• Accession number: 1962.279.193.a

A detail from the museum

The artist has faithfully rendered the distinctive tufts on the ears of all five lynxes.

Collection credit

Gift of Mrs. A. Dean Perry

Further reading listed by the museum

• Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.