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The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night (c. 1560): Art, Hist

The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, a

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The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night (c. 1560; Cleveland 1962.279.135.b)
Cleveland Museum of Art; Gift of Mrs. A. Dean Perry · CC0 1.0 / Public Domain

The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night (c. 1560) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

The prince arrived at a royal capital, where he pledged to assist the local king in any tasks. One day, when fishing at sea, the king dropped a precious ring into the water. The prince asked his servant, the frog, to retrieve it. At the left, the prince respectfully returns the ring to the king on his throne. The frog is at the entrance of the walled harbor to the sea, where a boatman bails water. Lotus flowers have been painted among the swirling eddies.

Object facts

  • Title: The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
  • Date: c. 1560
  • Culture: Mughal India, court of Akbar (reigned 1556–1605)
  • Type: Painting
  • Technique: gum tempera, ink, and gold on paper
  • Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.5 x 10.4 cm (2 15/16 x 4 1/8 in.)
  • Collection: Indian Art
  • Department: Indian and Southeast Asian Art
  • Accession number: 1962.279.135.b

A detail from the museum

The sea where the king dropped his ring is represented here as a walled pool.

Collection credit

Gift of Mrs. A. Dean Perry

Further reading listed by the museum

  • Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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