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The Resurrection of Christ (c. 1562): Art, History and Details

The Resurrection of Christ at the Cleveland Museum of Art: c. 1562, engraving. Explore the work's context, creator attribution and collection history.

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The Resurrection of Christ (c. 1562; Cleveland 1996.5)
Cleveland Museum of Art; Leonard C. Hanna Jr. Fund · CC0 1.0 / Public Domain

The Resurrection of Christ (c. 1562) is in the Cleveland Museum of Art collection. The museum's creator attribution is Philip Galle (Flemish, 1537–1612); Pieter Bruegel (Netherlandish, c. 1525/30–1569).

The work and its context

The museum's open-access catalogue describes the work:

Philip Galle engraved this plate based on a drawing by painter Pieter Bruegel the Elder depicting Christ’s resurrection. An angel levitates above the massive rock that has just been miraculously moved from Christ’s tomb. Soldiers at a humble campsite sleep or react with disbelief. Galle’s technique was influenced by Giorgio Ghisi, who worked in the same Antwerp print workshop for a period. Like Ghisi, Galle covered nearly the entire surface of the copperplate, but his rich chiaroscuro (light and shadow) relied on shorter, denser strokes.

Object facts

  • Title: The Resurrection of Christ
  • Date: c. 1562
  • Creator attribution: Philip Galle (Flemish, 1537–1612); Pieter Bruegel (Netherlandish, c. 1525/30–1569)
  • Culture: Netherlands, 16th century
  • Type: Print
  • Technique: engraving
  • Dimensions: Sheet: 45.8 x 32.8 cm (18 1/16 x 12 15/16 in.)
  • Collection: PR - Engraving
  • Department: Prints
  • Accession number: 1996.5

Collection credit

Leonard C. Hanna Jr. Fund

Further reading listed by the museum

  • Cleveland Museum of Art, “The Cleveland Museum of Art Acquires Major Works,” March 18, 1996, Cleveland Museum of Art Archives.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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