The Shepherd and the Shepherdess (1874): Art, History and Details

The Shepherd and the Shepherdess (1874) is in the Cleveland Museum of Art collection. The museum's creator attribution is Charles François Daubigny (French, 1817–1878).

The work and its context

The museum's open-access catalogue describes the work:

Although etching had fallen into disfavor in France, Daubigny began to produce original etchings in the 1840s. The revival of this technique began to accelerate, and in 1862 the Société des Aquafortistes (Society of Etchers) was organized by Alfred Cadart, who was instrumental in publishing many albums of prints. In addition, periodicals such as L'Artiste (The Artist) included original etchings, which also helped to generate interest in the medium. The countryside around Barbizon (a village about 30 miles southeast of Paris) provided a refuge from the urbanization and industrialization of modern life and offered landscape etchers a vast array of scenery—from wild forest to rocky gorges. Daubigny, who wanted to retain the immediacy of the direct observation of nature, used a flat-bottomed boat as a floating studio on the rivers of France in order to capture the momentary effects of light and atmosphere.

Object facts

• Title: The Shepherd and the Shepherdess
• Date: 1874
• Creator attribution: Charles François Daubigny (French, 1817–1878)
• Culture: France, 19th century
• Type: Print
• Technique: etching
• Dimensions: Sheet: 32.6 x 24 cm (12 13/16 x 9 7/16 in.); Plate: 28.4 x 21.6 cm (11 3/16 x 8 1/2 in.)
• Collection: PR - Etching
• Department: Prints
• Accession number: 1956.656

Collection credit

Mr. and Mrs. Charles G. Prasse Collection

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.