The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night (c. 1560): Art,
The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night at the Cleveland Museum of Art: c. 1560, gum tempera, in

The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night (c. 1560) is in the Cleveland Museum of Art collection. The museum's creator attribution is Lalu (Indian, active mid-1500s).
The work and its context
The museum's open-access catalogue describes the work:
At right, the merchant lies drunk while the vizier’s son receives the parrot from the merchant’s wife, with whom he is having an affair. In the upper register, a skilled carpenter carves an exact replica of the parrot that the vizier’s son will later pass to the merchant’s wife.
Object facts
- Title: The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
- Date: c. 1560
- Creator attribution: Lalu (Indian, active mid-1500s)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Type: Painting
- Technique: gum tempera, ink, and gold on paper
- Dimensions: Painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); Overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.)
- Collection: Indian Art
- Department: Indian and Southeast Asian Art
- Accession number: 1962.279.81.b
A detail from the museum
The long-necked bottles are full of liquor.
Collection credit
Gift of Mrs. A. Dean Perry
Further reading listed by the museum
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
- Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



