The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night (c. 1560): Art, History and Details

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night (c. 1560) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

As the prince grew up, he was failing in his studies. After 12 years of frustration, the king found a teacher who used pictures and creative oral techniques to help him learn. When the day came for his examinations that would prove him fit to rule, both the prince and the teacher were confident that he was well prepared. Before going in for the examinations, the teacher read his horoscope and discovered that disaster would befall him that very week, unless he kept completely silent until the seven-day period of danger had passed. The painting on this page shows the prince in blue next to his teacher in yellow, kneeling before the king.

Object facts

• Title: The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
• Date: c. 1560
• Culture: Mughal India, court of Akbar (reigned 1556–1605)
• Type: Painting
• Technique: gum tempera, ink, and gold on paper
• Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.)
• Collection: Indian Art
• Department: Indian and Southeast Asian Art
• Accession number: 1962.279.54.b

A detail from the museum

The four points of cloth at the bottom of the men’s tunics are for tying up when mounted on horseback.

Collection credit

Gift of Mrs. A. Dean Perry

Further reading listed by the museum

• Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
• Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.