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Three Sketches of Arches (verso) (1782): Art, History and Details

Three Sketches of Arches (verso) at the Cleveland Museum of Art: 1782, pen and brown ink. Explore the work's context, creator attribution and collection history.

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Three Sketches of Arches (verso) (1782; Cleveland 1955.164.b)
Cleveland Museum of Art; John L. Severance Fund · CC0 1.0 / Public Domain

Three Sketches of Arches (verso) (1782) is in the Cleveland Museum of Art collection. The museum's creator attribution is Francesco Guardi (Italian, 1712–1793).

The work and its context

The museum's open-access catalogue describes the work:

This drawing records a grand procession through Venice's Piazza San Marco on the penultimate day of the 1782 celebrations for the visit of the Russian Grand Duke Paul (Pavel) Petrovitch and his wife Maria Feodorovna. Francesco Guardi was likely commissioned by the Venetian state to document the ducal visit. Drawing from the vantage point of the Procuratie Nuove (a palace on one side of the piazza), Guardi sketched five carriages festooned with allegories, which were meant to celebrate the governments of Catherine the Great and Venice. In order to include as much of the procession as possible, he manipulated the perspective of the buildings on the right side of the square.The loose handling and lively immediacy of the pen work suggests he executed it on the spot. One drawing (Museen Preußischer Kulturbesitz, Berlin) and two oil paintings (private collections, Venice and Milan) of the same scene survive. Cleveland’s sheet likely preceded these more detailed and polished compositions.

Object facts

  • Title: Three Sketches of Arches (verso)
  • Date: 1782
  • Creator attribution: Francesco Guardi (Italian, 1712–1793)
  • Culture: Italy, Venice
  • Type: Drawing
  • Technique: pen and brown ink
  • Dimensions: Sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)
  • Collection: DR - Italian
  • Department: Drawings
  • Accession number: 1955.164.b

A detail from the museum

Before entering the museum's collection, this sheet may have been cut on the left, possibly to eliminate a sixth carriage that does not appear in Guardi’s other representations of the procession.

Collection credit

John L. Severance Fund

Further reading listed by the museum

  • Cleveland Museum of Art, Diane DeGrazia, and Carter E. Foster. Master Drawings from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art in association with Rizzoli International Publications, New York, 2000.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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