Time (from Chateau de Chaumont set) (1512–15): Art, History and Details

Time (from Chateau de Chaumont set) (1512–15) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Pierre Sala, who likely commissioned the set, is portrayed as the richly attired central figure offering a bouquet, a symbol of knowledge, to Éléonore, his daughter. Éléonore is pregnant, revealed by her upturned skirt and the persimmon in her husband Hector’s hand. Hector’s mother, Marguerite, in dark attire, will wed the widowed Sala in 1519. They appear in front of the royal chateau of Blois. The figures at the right convey Sala’s advice to his children. Time (the old man with the staff) with Clio, the Muse of History, standing on his shoulders, is being attacked by a Herculean youth wielding a stick. With this allegory, Sala is explaining that youth is ignorant of the complexities of life and time. The small unicorn at the far right represents the soul. The verse in Old French at the top refers to changing time: One sees Time adorned with green foliage, Sometimes as pleasant as an angel, Then suddenly change and become quite strange. Never does Time persist in one state.

Object facts

• Title: Time (from Chateau de Chaumont set)
• Date: 1512–15
• Culture: France, Lyon(?), early 16th century
• Type: Tapestry
• Technique: silk and wool; tapestry weave
• Dimensions: Overall: 326.6 x 434.1 cm (128 9/16 x 170 7/8 in.)
• Collection: Textiles
• Department: Textiles
• Accession number: 1960.176.3

Collection credit

Leonard C. Hanna Jr. Fund

Further reading listed by the museum

• Shepherd, Dorothy G. "Three Tapestries from Chaumont." The Bulletin of the Cleveland Museum of Art 48, no. 7 (September 1961): 159–177
• Saisselin, Remy G. "Literary Background of the Chaumont Tapestries." The Bulletin of the Cleveland Museum of Art 48, no. 7 (September 1961).
• Wixom, William D., and Leona E. Prasse. "Traditions in the Chaumont Tapestries." The Bulletin of the Cleveland Museum of Art 48, no. 7 (September 1961): 182–190.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.