Tong-Shaped Vase with Flowers and Grasses (1914–46): Art, History and Details
Tong-Shaped Vase with Flowers and Grasses at the Cleveland Museum of Art: 1914–46, Porcelain with molded and carved design and green glaze. Explore the work's context, creator attribution and collection history.

Tong-Shaped Vase with Flowers and Grasses (1914–46) is in the Cleveland Museum of Art collection. The museum's creator attribution is Seifū Yohei IV (Japanese, 1872–1951).
The work and its context
The museum's open-access catalogue describes the work:
Many of the vases created by Yohei III and IV were made with reference to and in emulation of Chinese ceramics in both form and glazing. The vessel type called tongping, pronounced tōbin in Japanese, is tall and cylindrical, like the thick length of bamboo referenced in the shape of the ideograph tong 筒. Unlike the ancient gu, hu, and guan, this form did not emerge in China until the Ming dynasty, and many such vases date to the early Qing dynasty. Two green-glazed vases, CMA 2022.225 by Yohei III and this one by Yohei IV, are interpretations of this form. Yohei III’s version has slightly hunched shoulders and is somewhat wider at the top below the small neck and lip. Yohei IV’s vase is more angular. The wide rack of molded cloud encircling the Yohei III vase rises subtly from very low relief banding above and below it, accentuating the vessel’s rounded edges and complementing the form. In contrast, the allover flower vine pattern on the body and “seven treasures” pattern at the collar of the vase by Yohei IV evokes a garment’s cuffed sleeve, like the common English appellation for this type of vessel—“sleeve vase.”
Object facts
- Title: Tong-Shaped Vase with Flowers and Grasses
- Date: 1914–46
- Creator attribution: Seifū Yohei IV (Japanese, 1872–1951)
- Culture: Japan, Taishō period (1912–26) or Shōwa period (1926–89)
- Type: Ceramic
- Technique: Porcelain with molded and carved design and green glaze
- Dimensions: height: 31.5 cm (12 3/8 in.); Diameter: 12 cm (4 3/4 in.)
- Collection: Japanese Art
- Department: Japanese Art
- Accession number: 2022.228
A detail from the museum
Seifū Yohei IV continued to create works in the studio’s signature colors but also produced pieces with strong color and flare that were his interpretations of Qing dynasty (1644–1911) glazes.
Collection credit
Gift of James and Christine Heusinger
Further reading listed by the museum
- Maezaki, Shinya and Sinéad Vilbar. Colors of Kyoto: The Seifū Yohei Ceramic Studio. Cleveland, OH: The Cleveland Museum of Art, 2023.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



