Venetian Set: Entombment of Christ (1739–43): Art, History and Details
Venetian Set: Entombment of Christ at the Cleveland Museum of Art: 1739–43, chiaroscuro woodcut. Explore the work's context, creator attribution and collection history.

Venetian Set: Entombment of Christ (1739–43) is in the Cleveland Museum of Art collection. The museum's creator attribution is John Baptist Jackson (British, 1701-c. 1780); Jacopo Bassano (Italian, c. 1510–1592).
The work and its context
The museum's open-access catalogue describes the work:
Jackson is the best known 18th-century specialist in chiaroscuro woodcuts. Woodcuts were not popular at this time, and the chiaroscuro technique never took hold in England, but he may have developed his interest in the medium from the Italian nobleman and printmaker Antonio Zanetti who reproduced his collection of Parmigianino drawings as chiaroscuros when in England around 1720. Jackson moved to Venice, where, in 1739, the great English patron Consul Joseph Smith and two other supporters commissioned him to produce chiaroscuro woodcuts after 17 paintings by the Venetian masters Titian, Paolo Veronese, Tintoretto, and Jacobo Bassano. Jackson completed the series in 1743, which was published by J. B. Pasquali in 1745 as a bound volume. These reproductions of masterpieces were meant as souvenirs for the tourist trade and the young gentlemen taking the Grand Tour of the Continent to further their education. Jackson's Venetian Set was the first large-scale group of chiaroscuro woodcuts to reproduce oil paintings. In order to capture the effects of color and light in the paintings, he created complex, virtuosic woodcuts with a multitude of lines and tones.
Object facts
- Title: Venetian Set: Entombment of Christ
- Date: 1739–43
- Creator attribution: John Baptist Jackson (British, 1701-c. 1780); Jacopo Bassano (Italian, c. 1510–1592)
- Culture: England, 18th century
- Type: Print
- Technique: chiaroscuro woodcut
- Collection: PR - Chiaroscuro
- Department: Prints
- Accession number: 1923.1053
Collection credit
Charles W. Harkness Endowment Fund
Further reading listed by the museum
- Francis, Henry Sayles. Venetian Tradition: Catalogue of the Exhibition. [Cleveland, Ohio]: The Cleveland Museum of Art, 1956.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



