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White-Robed Guanyin (late 1200s–early 1300s): Art, History and Details

White-Robed Guanyin at the Cleveland Museum of Art: late 1200s–early 1300s, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

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White-Robed Guanyin (late 1200s–early 1300s; Cleveland 1978.47.1)
Cleveland Museum of Art; Purchase from the J. H. Wade Fund · CC0 1.0 / Public Domain

White-Robed Guanyin (late 1200s–early 1300s) is in the Cleveland Museum of Art collection. The museum's creator attribution is Jueji Yongzhong (Chinese, active around 1300); Zhongfeng Mingben (Chinese, 1263–1323).

The work and its context

The museum's open-access catalogue describes the work:

Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province, China. Here, the figure was swiftly drawn in only a few ink lines. The inscription above is by Zhongfeng Mingben, perhaps the most widely respected and influential Chan (Zen in Japanese) master in the Yuan dynasty. The artist’s signature is a single line below on the left: Huanzhu Yongzhong.

Object facts

  • Title: White-Robed Guanyin
  • Date: late 1200s–early 1300s
  • Creator attribution: Jueji Yongzhong (Chinese, active around 1300); Zhongfeng Mingben (Chinese, 1263–1323)
  • Culture: China, Yuan dynasty (1271-1368)
  • Type: Painting
  • Technique: hanging scroll; ink on paper
  • Dimensions: Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.)
  • Collection: ASIAN - Hanging scroll
  • Department: Chinese Art
  • Accession number: 1978.47.1

A detail from the museum

The CMA collection includes a drawing by a Japanese priest, CMA 1978.47.2, inspired by this composition.

Collection credit

Purchase from the J. H. Wade Fund

Further reading listed by the museum

  • Toshirō Ebine 海老根聰郎. "'Avalokiteśvara in White' by Huan-chu Yung-chung 幻住永中 白衣觀音図." Kobijutsu 古美術 no. 34, August 1971, pp. 86–96.
  • Kannon no kaiga: sono bi to rekishi. Nara, Japan: Yamato Bunkakan, 1974.
  • Tōkyō Kokuritsu Hakubutsukan. Gendai doshaku jinbutsuga, tokubetsu tenkan. Tokyo: [publisher not identified], 1975.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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