Writing Tablet (Aide-Mémoire) (c. 1760–70): Art, History and Details

Writing Tablet (Aide-Mémoire) (c. 1760–70) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Luxurious personal objects were an essential part of a privileged wardrobe during the 1700s and early 1800s, emphasizing their owner’s refinement and wealth. Jewelry, miniatures, and writing tablets were often given as intimate gifts, intended to be seen and admired. Their glittering surfaces, however, disguised a system based on the labor and suffering of enslaved people and the decimation of elephant populations across Africa. Throughout the 1700s and 1800s, the ivory and slave trades were closely intertwined, as indigenous people and elephant tusks were transported and sold along the same routes. Slavery was not abolished in much of the British Empire until 1833. Britain and other European nations continued to pursue colonialism with a sense of superiority that found its way into all aspects of life, including decorative objects glorifying their conquests.

Object facts

• Title: Writing Tablet (Aide-Mémoire)
• Date: c. 1760–70
• Culture: England, 18th century
• Type: Miscellaneous
• Technique: gold, agate, gold-mounted pencils, ivory writing tablets, mirror, manicure set
• Dimensions: Overall: 9.5 x 1.3 x 5.7 cm (3 3/4 x 1/2 x 2 1/4 in.)
• Collection: Decorative Arts
• Department: Decorative Art and Design
• Accession number: 2009.59

A detail from the museum

During the 1700s, many wealthy women wrote personal notes on little thin sheets of polished ivory like this one and later wiped the tablet clean with a damp cloth.

Collection credit

Gift of Howard F. Stirn

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.