Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Study for "The Revolt of Cairo" at the Cleveland Museum of Art: 1810, pen and brown ink; framing lines in pen and brown ink. Explore the work's context, creator attribution and collection history.
Study of Apollo for Marsyas (recto); Face in Profile (verso) at the Cleveland Museum of Art: late 1860s, pen and brown ink. Explore the work's context, creator attribution and collection history.
Study of Apollo for Marsyas (recto) at the Cleveland Museum of Art: late 1860s, pen and brown ink. Explore the work's context, creator attribution and collection history.
Face in Profile (verso) at the Cleveland Museum of Art: late 1860s, pen and brown ink. Explore the work's context, creator attribution and collection history.
Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroë (from Book 1 of Apuleius, "The Golden Ass") at the Cleveland Museum of Art: 1795, brush and black and gray wash, heightened with white gouache, over graphite. Explore
Seated Peasant Woman at the Cleveland Museum of Art: c. 1885, charcoal. Explore the work's context, creator attribution and collection history.
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto); Compositional Study? (possibly for "Poussin's Deluge") (verso) at the Cleveland Museum of Art: c. 1816, pen and brown ink and brush and brown wash over graphite. Explore the
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) at the Cleveland Museum of Art: c. 1816, pen and brown ink and brush and brown wash over graphite. Explore the work's context, creator attribution and collection history.
Compositional Study? (possibly for "Poussin’s Deluge") (verso) at the Cleveland Museum of Art: c. 1816, brown wash and black crayon. Explore the work's context, creator attribution and collection history.
Design for the Divertissement from "La Pastorale" (First Entrée of the opera-ballet "Les Muses" by Danchet and Campra") at the Cleveland Museum of Art: 1703, pen and black ink and brush and gray wash with red, blue, and yellow wash, with gr
View of the Château of Pierrefonds at the Cleveland Museum of Art: c. 1870, pen and black ink, brush and black and gray wash, and graphite, heightened with white gouache. Explore the work's context, creator attribution and collection histor
Café in Constantinople at the Cleveland Museum of Art: 1847, brush and black and gray ink, graphite, and stylus on white wove paper coated with a white ground. Explore the work's context, creator attribution and collection history.
Two Standing Figures (Study for A Game of Billiards) at the Cleveland Museum of Art: c. 1807, black chalk with gray and brown-black chalk, with stumping, framing lines in brown-black chalk. Explore the work's context, creator attribution an
Liberty at the Cleveland Museum of Art: c. 1865–75, Brush and brown wash and gray and white gouache with graphite. Explore the work's context, creator attribution and collection history.
Landscape (The Large Tree) at the Cleveland Museum of Art: c. 1865–70, charcoal with stumping, erasing, and wet brushwork on light brown wove paper. Explore the work's context, creator attribution and collection history.
Woman in Profile, Turned to the Left at the Cleveland Museum of Art: 1784, Charcoal and black chalk with stumping on off-white laid paper, signed in brown ink. Explore the work's context, creator attribution and collection history.
Four Studies of the Head of a Young Italian Woman at the Cleveland Museum of Art: 1856, graphite. Explore the work's context, creator attribution and collection history.
Landscape at the Cleveland Museum of Art: c. 1860, watercolor and gouache with pen and brown ink and graphite. Explore the work's context, creator attribution and collection history.
Study for the Mother in The Fisherman's Family at the Cleveland Museum of Art: c. 1875, black and white chalk with stumping, squared in black chalk. Explore the work's context, creator attribution and collection history.
Dawn—Hunter with Dog at the Cleveland Museum of Art: 1882, watercolor. Explore the work's context, creator attribution and collection history.
Head of a Man at the Cleveland Museum of Art: 1886, metalpoint. Explore the work's context, creator attribution and collection history.
Half-length Portrait of a Seated Woman at the Cleveland Museum of Art: 1781, black chalk. Explore the work's context, creator attribution and collection history.
Head of a Boy Singing (Study for Music) at the Cleveland Museum of Art: c. 1898, black, white, and red chalk with stumping, pricked for transfer. Explore the work's context, creator attribution and collection history.
Liberty at the Cleveland Museum of Art: 1848–49, black chalk and pastel. Explore the work's context, creator attribution and collection history.
Seated Woman with a Cat at the Cleveland Museum of Art: c. 1776, brush and gray and black wash. Explore the work's context, creator attribution and collection history.
Head of a Young Girl Turning toward the Right at the Cleveland Museum of Art: 1758?, black chalk, with stumping. Explore the work's context, creator attribution and collection history.
Saddled Arabian Horse in Courtyard at the Cleveland Museum of Art: 1820, pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalk. Explore the work's context, creator attributi
A Nun Seated at a Table Knitting at the Cleveland Museum of Art: 1862, gouache and watercolor. Explore the work's context, creator attribution and collection history.
Trissotin Reading to Philaminte, Bélise, and Armande (from act 3, scene 2 of Molière's "Les Femmes Savantes" at the Cleveland Museum of Art: probably c. 1725–1726, graphite, graphite wash, and red chalk. Explore the work's context, creator
Portrait of a Young Man at the Cleveland Museum of Art: c. 1865–1875, charcoal with stumping, heightened with white chalk. Explore the work's context, creator attribution and collection history.
The Genius of the Sculptor at the Cleveland Museum of Art: c. 1880–83, pen and brown ink. Explore the work's context, creator attribution and collection history.
Studies of Angels (recto); Panthea before Cyrus? (verso) at the Cleveland Museum of Art: 1655–60(?), black chalk heightened with white chalk. Explore the work's context, creator attribution and collection history.
Studies of Angels (recto) at the Cleveland Museum of Art: 1655–60(?), black chalk heightened with white chalk. Explore the work's context, creator attribution and collection history.
Panthea before Cyrus? (verso) at the Cleveland Museum of Art: 1655–60(?), black chalk. Explore the work's context, creator attribution and collection history.
Portrait of a Man at the Cleveland Museum of Art: 1800, Black chalk with stumping heightened with white gouache on light brown wove paper. Explore the work's context, creator attribution and collection history.
Valmy and Léa at the Cleveland Museum of Art: c. 1885–95, brush and brown wash, heightened with white gouache, over graphite. Explore the work's context, creator attribution and collection history.
Cross Section of the Hôtel de Ville Seen in Perspective Showing the Decoration and Illumination of the Courtyard and Rooms Created on the Occasion of the Ball Given the Night of August 30 and 31, 1739 at the Cleveland Museum of Art: 1739–17
Madame Millin du Perreux and Her Son, with a Painted Portrait of Monsieur Jérôme-Robert Millin du Perreux at the Cleveland Museum of Art: c. 1760, red chalk, black chalk, and watercolor, heightened with white chalk or paint?. Explore the wo
Return from the Horse Fair at the Cleveland Museum of Art: 1873, watercolor and gouache over graphite. Explore the work's context, creator attribution and collection history.
The Suburbs: Stock Raiser and Captain at the Cleveland Museum of Art: probably 1859–1860, watercolor (mixed with white gouache in places) over graphite, heightened with white gouache. Explore the work's context, creator attribution and coll