Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Female Mask (Gambanda or Kambanda) at the Cleveland Museum of Art: early 1900s, Wood, plant fiber, and colorant. Explore the work's context, creator attribution and collection history.
Pipe bowl at the Cleveland Museum of Art: early to mid-1900s, Wood, iron, and copper alloy. Explore the work's context, creator attribution and collection history.
Spanner for a Wheel Lock Gun at the Cleveland Museum of Art: 1600s, steel. Explore the work's context, creator attribution and collection history.
Birds of Prey at the Cleveland Museum of Art: 1893, aquatint and etching in green. Explore the work's context, creator attribution and collection history.
Apricot Long Shawl at the Cleveland Museum of Art: 1785–1800, 2/2 twill tapestry weave, double interlocked; wool. Explore the work's context, creator attribution and collection history.
Turkmen Bag Face at the Cleveland Museum of Art: 1800s, Wool, silk, cotton; 252 symmetrical rug knots per square inch. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at the Cleveland Museum of Art: 1820, watercolor on ivory on a gilt metal locket with red leather case. Explore the work's context, creator attribution and collection history.
Portrait of a Mother and Daughter at the Cleveland Museum of Art: c. 1794–95, oil on canvas. Explore the work's context, creator attribution and collection history.
Winter Landscape at the Cleveland Museum of Art: c. 1680–1718, oil on copper, mounted on wood. Explore the work's context, creator attribution and collection history.
Woman Sleeping in a Landscape with a Letter at the Cleveland Museum of Art: c. 1800, oil on canvas. Explore the work's context, creator attribution and collection history.
Still-Life with Crayfish, Oysters, and Fruit at the Cleveland Museum of Art: late 1600s or early 1700s, oil on canvas. Explore the work's context, creator attribution and collection history.
Portrait of Grand Duchess Catherine Pavlovna, later Queen of Württemberg at the Cleveland Museum of Art: c. 1860, watercolor on ivory on a gilt metal mount. Explore the work's context, creator attribution and collection history.
Maharaja of Kotah Listening to Music and Watching Dancers at the Cleveland Museum of Art: c. 1820, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Two Male Nudes at the Cleveland Museum of Art: 1710, black chalk, heightened with white chalk. Explore the work's context, creator attribution and collection history.
Decoration Executed for the Birthday of His Majesty the King of Westphalia at the Cleveland Museum of Art: 1811, Pen and black ink and watercolor with graphite; heightened with white gouache on off-white wove paper. Explore the work's conte
Head of a Young Man at the Cleveland Museum of Art: 1715–1717, red, black, and white chalk with stumping. Explore the work's context, creator attribution and collection history.
Study of the Sabine Statue from the Villa Medici at the Cleveland Museum of Art: c. 1775–1780, pen and brown ink and brush and gray wash. Explore the work's context, creator attribution and collection history.
Carcasses at the Cleveland Museum of Art: 1840–1860, watercolor and gouache. Explore the work's context, creator attribution and collection history.
An Insect Ball at the Cleveland Museum of Art: 1835, pen and black ink with watercolor. Explore the work's context, creator attribution and collection history.
The Members of the Academy of Beaux-Arts Assembled to Jury the Rome Prize at the Cleveland Museum of Art: 1841 or 1842, pen and brown ink. Explore the work's context, creator attribution and collection history.
Jane Jarvis at the Cleveland Museum of Art: 1830–31, pastel, heightened with white gouache on tan woven paper, mounted to board. Explore the work's context, creator attribution and collection history.
Hannibal Swearing Eternal Enmity toward Rome at the Cleveland Museum of Art: c. 1808, pen and black and brown ink, brush and brown and gray wash, and white paint over graphite. Explore the work's context, creator attribution and collection
Male Academy with Wings at the Cleveland Museum of Art: 1745–50, red chalk on cream laid paper. Explore the work's context, creator attribution and collection history.
Madame Hippolyte Flandrin (Aimée Ancelot) at the Cleveland Museum of Art: 1869, graphite heightened with white chalk or gouache. Explore the work's context, creator attribution and collection history.
Head of a Young Man (Study for L'Oiseau de passage) at the Cleveland Museum of Art: 1853, graphite and red chalk with stylus heightened with white on off-white woven paper. Explore the work's context, creator attribution and collection hist
Seated Male Nude at the Cleveland Museum of Art: 1693–95, red chalk. Explore the work's context, creator attribution and collection history.
Head of a Young Woman at the Cleveland Museum of Art: c. 1785, red chalk on white laid paper pasted down on heavy-weight gray paper. Explore the work's context, creator attribution and collection history.
The Moscow Tavern at the Cleveland Museum of Art: c. 1773, Pen and brown ink and brush and brown and gray wash on white laid paper. Explore the work's context, creator attribution and collection history.
The Apple Market at Landerneau at the Cleveland Museum of Art: 1878, pen and brown ink over tracing in red chalk. Explore the work's context, creator attribution and collection history.
The Oak Tree and the Reed at the Cleveland Museum of Art: c. 1873, blue, gray, and black wash, and graphite. Explore the work's context, creator attribution and collection history.
Joan of Arc at the Cleveland Museum of Art: c. 1889, graphite, red chalk, colored washes, and black and white gouache. Explore the work's context, creator attribution and collection history.
Notre-Dame de Paris at the Cleveland Museum of Art: c. 1881, pen and black ink, brush and black wash, white gouache and graphite on paper. Explore the work's context, creator attribution and collection history.
Althaea Putting the Fatal Log on the Fire at the Cleveland Museum of Art: 1712, Red chalk on beige laid paper, incised for transfer. Explore the work's context, creator attribution and collection history.
Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor) at the Cleveland Museum of Art: c. 1851, oil, brown oil wash or ink wash, and black crayon. Explore the work's context, creator attribution
A Palace with an Arched Bridge (A Roman Villa) at the Cleveland Museum of Art: 1760, pen and brown and gray ink, graphite, and watercolor. Explore the work's context, creator attribution and collection history.
Head of a Female Figure in Profile, Turned to the Right at the Cleveland Museum of Art: c. 1763–1770?, charcoal with red and white chalk and stumping. Explore the work's context, creator attribution and collection history.
L'Invite at the Cleveland Museum of Art: 1775, Sanguine on white woven paper. Explore the work's context, creator attribution and collection history.
Boreas Abducting Oreithyia at the Cleveland Museum of Art: c. 1755–1760, red chalk. Explore the work's context, creator attribution and collection history.
Landscape with Watermill at the Cleveland Museum of Art: c, 1790, Brown ink wash and point of brush with graphite underdrawing on cream wove paper. Explore the work's context, creator attribution and collection history.
A Funeral at the Cleveland Museum of Art: c. mid-1870s-early 1880s, charcoal and brush and black and brown ink, with stumping and scratching away. Explore the work's context, creator attribution and collection history.