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Seated Figurine Wearing a Bracelet at the Cleveland Museum of Art: 300 BCE–300 CE, ceramic and pigment. Explore the work's context, creator attribution and collection history.
Fol. 445v, Corinthians II, historiated initial P, Paul standing with a sword, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution an
Fol. 449r, Galatians, historiated initial P, Paul seated with a sword, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and colle
Fol. 450v, Ephesians, historiated initial P, Paul seated with a sword, the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection histo
Fol. 452r, Philippians, historiated initial P, Paul standing with a sword and a scroll, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attr
Fol. 453v, Colossians, historiated initial P, Paul standing talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection hist
Fol. 454v,Thessalonians I, historiated initial P, Paul seated with a sword and a book, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attri
Fol. 455v, Thessalonians II, historiated initial P, Paul seated with a sword, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution an
Fol. 456r, Timothy I, historiated initial P, Paul seated at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 457v, Timothy II, historiated initial P, Paul talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 458v, Titus, historiated initial P, Paul seated with a sword at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 459r, Philemon, historiated initial P, Paul addressing three men and Hebrews, historiated initial M, Paul seated at a desk, writing at the Cleveland Museum of Art: c. 1275–1300, ink, tempera, and gold on vellum. Explore the work's cont
74. Fol. 463r, Acts, historiated initial P, the Ascension at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 476v, James, historiated initial I, James standing with a scroll at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 477v, Peter, historiated initial P, Peter with a key, talking to the bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection histor
Fol. 481v, Jude, historiated initial I, Jude standing with a scroll at the Cleveland Museum of Art: c. 1275–1300, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Fol. 482v, Revelations, historiated initial A, John seated at a desk writing to the Seven Churches of Asia at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and co
Fol. iii v, Foliated Initial at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Standing Figurine at the Cleveland Museum of Art: 200 BCE–300 CE, ceramic. Explore the work's context, creator attribution and collection history.
Standing figurine holding an animal (dog?) at the Cleveland Museum of Art: 300 BCE–300 CE, ceramic and pigment. Explore the work's context, creator attribution and collection history.
The Clothes are Italian at the Cleveland Museum of Art: 1715–16, etching. Explore the work's context, creator attribution and collection history.
Nursemaids’ Promenade, Frieze of Carriages at the Cleveland Museum of Art: 1895, color lithographs on wove paper, screen with four panels. Explore the work's context, creator attribution and collection history.
Nursemaids’ Promenade, Frieze of Carriages at the Cleveland Museum of Art: 1895, color lithograph. Explore the work's context, creator attribution and collection history.
Nursemaids’ Promenade, Frieze of Carriages at the Cleveland Museum of Art: 1895, color lithograph. Explore the work's context, creator attribution and collection history.
Nursemaids’ Promenade, Frieze of Carriages at the Cleveland Museum of Art: 1895, color lithograph. Explore the work's context, creator attribution and collection history.
Vessel with Pudu at the Cleveland Museum of Art: 500–200 BCE (thermoluminescence date, 1190–90 BCE), ceramic. Explore the work's context, creator attribution and collection history.
Spring Rain Thatched Hut at the Cleveland Museum of Art: 1650, handscroll, ink on paper. Explore the work's context, creator attribution and collection history.
Panther Attacking a Goat at the Cleveland Museum of Art: late 1700s, marble. Explore the work's context, creator attribution and collection history.
At Least Be Discreet at the Cleveland Museum of Art: 1789, etching and engraving. Explore the work's context, creator attribution and collection history.
You May Count on Me at the Cleveland Museum of Art: 1789, etching and engraving. Explore the work's context, creator attribution and collection history.
Paris and Oenone at the Cleveland Museum of Art: 1791, brush and gray wash with pen and pale gray-black ink with graphite and brown ink. Explore the work's context, creator attribution and collection history.
Study for "Antiochus and Stratonice" at the Cleveland Museum of Art: c. 1746, oil on canvas. Explore the work's context, creator attribution and collection history.
The Death of Sophonisba at the Cleveland Museum of Art: c. 1810, oil on canvas. Explore the work's context, creator attribution and collection history.
Enthroned Virgin and Child at the Cleveland Museum of Art: c. 1480, alabaster with traces of gilding and polychromy. Explore the work's context, creator attribution and collection history.
Brocaded velvet cover with sunbursts at the Cleveland Museum of Art: early 1600s, velvet, brocaded: silk, gilt- and silver-metal thread, and cotton. Explore the work's context, creator attribution and collection history.
Mars, Minerva, Venus, and Cupid at the Cleveland Museum of Art: early 1500s, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant. Explore the work's context, creator attributi
Virgin and Child at the Cleveland Museum of Art: c. 1662, watercolor heightened with gum on vellum, with gold. Explore the work's context, creator attribution and collection history.
The Devil Speaks (Mahna No Varua Ino) (recto); Women Washing Clothes (verso) at the Cleveland Museum of Art: 1893–1894, woodcut. Explore the work's context, creator attribution and collection history.
Noa Noa: The Devil Speaks (Mahna No Varua Ino) (recto) at the Cleveland Museum of Art: 1893–1894, woodcut. Explore the work's context, creator attribution and collection history.
Volpini Suite: Women Washing Clothes (verso) at the Cleveland Museum of Art: 1893–94, zincograph on yellow paper. Explore the work's context, creator attribution and collection history.