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Art & Design archive — Page 323

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Textile Fragment (c. 50–650 CE; Cleveland 2007.2.5)

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Textile Fragment (c. 50–650 CE; Cleveland 2007.2.6)

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Mullein in Bloom (c. 1897–1899; Cleveland 2007.26)

Mullein in Bloom (c. 1897–1899): Art, History and Details

Mullein in Bloom at the Cleveland Museum of Art: c. 1897–1899, albumen print. Explore the work's context, creator attribution and collection history.

Pyramid of Five Men (c. 1540; Cleveland 2007.167)

Pyramid of Five Men (c. 1540): Art, History and Details

Pyramid of Five Men at the Cleveland Museum of Art: c. 1540, etching. Explore the work's context, creator attribution and collection history.

Tunic with Sacrificer (600–1000; Cleveland 2007.179)

Tunic with Sacrificer (600–1000): Art, History and Details

Tunic with Sacrificer at the Cleveland Museum of Art: 600–1000, camelid fiber, cotton: tapestry weave. Explore the work's context, creator attribution and collection history.

Frogs and Lily Pads (Grenouilles et Nénuphars) Vase (1909–12; Cleveland 2007.180)

Frogs and Lily Pads (Grenouilles et Nénuphars) Vase (1909–12): Art, History and Details

Frogs and Lily Pads (Grenouilles et Nénuphars) Vase at the Cleveland Museum of Art: 1909–12, glass. Explore the work's context, creator attribution and collection history.

Fire Screen with Shell-Matching Game (c. 1870–80; Cleveland 2007.182)

Fire Screen with Shell-Matching Game (c. 1870–80): Art, History and Details

Fire Screen with Shell-Matching Game at the Cleveland Museum of Art: c. 1870–80, Gilt wood frame with embroidered silk gift cover mounted as a panel. Explore the work's context, creator attribution and collection history.

Sacrificer Container (770–890 (radiocarbon date, 95% probability); Cleveland 2007.193)

Sacrificer Container (770–890 (radiocarbon date, 95% probability)): Art, History and Details

Sacrificer Container at the Cleveland Museum of Art: 770–890 (radiocarbon date, 95% probability), wood and cinnabar. Explore the work's context, creator attribution and collection history.

Container in the form of a Sacrificer (770–890 (radiocarbon date, 95% probability); Cleveland 2007.193.a)

Container in the form of a Sacrificer (770–890 (radiocarbon date, 95% probability)): Art, History and Details

Container in the form of a Sacrificer at the Cleveland Museum of Art: 770–890 (radiocarbon date, 95% probability), wood and red pigment (cinnabar). Explore the work's context, creator attribution and collection history.

plug for the bottom of Container in the form of a Sacrificer (770–890 (radiocarbon date, 95% probability); Cleveland 2007.193.b)

plug for the bottom of Container in the form of a Sacrificer (770–890 (radiocarbon date, 95% probability)): Art, History and Details

plug for the bottom of Container in the form of a Sacrificer at the Cleveland Museum of Art: 770–890 (radiocarbon date, 95% probability), wood and red pigment (cinnabar). Explore the work's context, creator attribution and collection histor

Mlle Bécat at the Café des Ambassadeurs (1877–78; Cleveland 2007.194)

Mlle Bécat at the Café des Ambassadeurs (1877–78): Art, History and Details

Mlle Bécat at the Café des Ambassadeurs at the Cleveland Museum of Art: 1877–78, lithograph. Explore the work's context, creator attribution and collection history.

Six Marines: Interior of a Port (1833; Cleveland 2007.238.5)

Six Marines: Interior of a Port (1833): Art, History and Details

Six Marines: Interior of a Port at the Cleveland Museum of Art: 1833, lithograph on chine collé. Explore the work's context, creator attribution and collection history.

The Festival of 14 July, Illumination of the Place of the Republic (after H. Scott) (1880; Cleveland 2007.250)

The Festival of 14 July, Illumination of the Place of the Republic (after H. Scott) (1880): Art, History and Details

The Festival of 14 July, Illumination of the Place of the Republic (after H. Scott) at the Cleveland Museum of Art: 1880, wood engraving. Explore the work's context, creator attribution and collection history.

Aglaida and Boniface (c. 1857; Cleveland 2007.275)

Aglaida and Boniface (c. 1857): Art, History and Details

Aglaida and Boniface at the Cleveland Museum of Art: c. 1857, oil on canvas. Explore the work's context, creator attribution and collection history.

Bird-shaped Urn (2650–2350 BCE; Cleveland 2007.276)

Bird-shaped Urn (2650–2350 BCE): Art, History and Details

Bird-shaped Urn at the Cleveland Museum of Art: 2650–2350 BCE, earthenware with slip-painted decoration. Explore the work's context, creator attribution and collection history.

Liberty Enlightening the World, Offered to the City of Paris by the Americans (1885; Cleveland 2007.293)

Liberty Enlightening the World, Offered to the City of Paris by the Americans (1885): Art, History and Details

Liberty Enlightening the World, Offered to the City of Paris by the Americans at the Cleveland Museum of Art: 1885, wood engraving. Explore the work's context, creator attribution and collection history.

Deer-Headed Figure Vessel (200–850 CE; Cleveland 2008.1)

Deer-Headed Figure Vessel (200–850 CE): Art, History and Details

Deer-Headed Figure Vessel at the Cleveland Museum of Art: 200–850 CE, ceramic, slip. Explore the work's context, creator attribution and collection history.

Gothic Bible (Vulgate) (c. 1275–1300; Cleveland 2008.2)

Gothic Bible (Vulgate) (c. 1275–1300): Art, History and Details

Gothic Bible (Vulgate) at the Cleveland Museum of Art: c. 1275–1300, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 1r, Genesis, with a full-length historiated initial I, showing the Creation and the Crucifixion, all on burnished gold grounds, with diapered pink and blue frames and cusped dragon and foliage extensions at top and bottom, on which are perched a vari (c. 1275–1300; Cleveland 2008.2.1.a)

Fol. 1r, Genesis, with a full-length historiated initial I, showing the Creation and the Crucifixion, all on burnished gold grounds, with diapered pink and blue frames and cusped dragon and foliage ex

Fol. 1r, Genesis, with a full-length historiated initial I, showing the Creation and the Crucifixion, all on burnished gold grounds, with diapered pink and blue frames and cusped dragon and foliage extensions at top and bottom, on which are

Fol. 112r, Kings II, historiated initial F, the beheading of the Amalekite (c. 1275–1300; Cleveland 2008.2.112.a)

Fol. 112r, Kings II, historiated initial F, the beheading of the Amalekite (c. 1275–1300): Art, History and Details

Fol. 112r, Kings II, historiated initial F, the beheading of the Amalekite at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 123r, Kings III, historiated initial E, an attendant bringing Abishag to David who lies on a bed (c. 1275–1300; Cleveland 2008.2.123.a)

Fol. 123r, Kings III, historiated initial E, an attendant bringing Abishag to David who lies on a bed (c. 1275–1300): Art, History and Details

Fol. 123r, Kings III, historiated initial E, an attendant bringing Abishag to David who lies on a bed at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collect

Fol. 136r, Kings IV, historiated initial P, Ahaziah falling from a tower (c. 1275–1300; Cleveland 2008.2.136.a)

Fol. 136r, Kings IV, historiated initial P, Ahaziah falling from a tower (c. 1275–1300): Art, History and Details

Fol. 136r, Kings IV, historiated initial P, Ahaziah falling from a tower at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 148v, Chronicles I, historiated initial A, three descendants of Adam (c. 1275–1300; Cleveland 2008.2.148.b)

Fol. 148v, Chronicles I, historiated initial A, three descendants of Adam (c. 1275–1300): Art, History and Details

Fol. 148v, Chronicles I, historiated initial A, three descendants of Adam at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 160r, Chronicles II, historiated initial C, Solomon kneeling before an altar praying, a bust of God above (c. 1275–1300; Cleveland 2008.2.160.a)

Fol. 160r, Chronicles II, historiated initial C, Solomon kneeling before an altar praying, a bust of God above (c. 1275–1300): Art, History and Details

Fol. 160r, Chronicles II, historiated initial C, Solomon kneeling before an altar praying, a bust of God above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution an

Fol. 174v, Ezra, historiated initial I, Cyrus directing the building of the Temple (c. 1275–1300; Cleveland 2008.2.174.b)

Fol. 174v, Ezra, historiated initial I, Cyrus directing the building of the Temple (c. 1275–1300): Art, History and Details

Fol. 174v, Ezra, historiated initial I, Cyrus directing the building of the Temple at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 178v, Nehemiah, historiated initial V, Nehemiah presenting the golden cup to Artaxerxes (c. 1275–1300; Cleveland 2008.2.178.b)

Fol. 178v, Nehemiah, historiated initial V, Nehemiah presenting the golden cup to Artaxerxes (c. 1275–1300): Art, History and Details

Fol. 178v, Nehemiah, historiated initial V, Nehemiah presenting the golden cup to Artaxerxes at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection histo

Fol. 184r, Ezra II, historiated initial E, a priest censing an altar (c. 1275–1300; Cleveland 2008.2.184.a)

Fol. 184r, Ezra II, historiated initial E, a priest censing an altar (c. 1275–1300): Art, History and Details

Fol. 184r, Ezra II, historiated initial E, a priest censing an altar at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 190r,Tobit, historiated initial T, Tobit sleeping on a bed (c. 1275–1300; Cleveland 2008.2.190.a)

Fol. 190r,Tobit, historiated initial T, Tobit sleeping on a bed (c. 1275–1300): Art, History and Details

Fol. 190r,Tobit, historiated initial T, Tobit sleeping on a bed at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 194r, Judith, historiated initial A, Judith beheading Holofernes (c. 1275–1300; Cleveland 2008.2.194.a)

Fol. 194r, Judith, historiated initial A, Judith beheading Holofernes (c. 1275–1300): Art, History and Details

Fol. 194r, Judith, historiated initial A, Judith beheading Holofernes at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 199r, Esther, historiated initial, two seated male figures (c. 1275–1300; Cleveland 2008.2.199.a)

Fol. 199r, Esther, historiated initial, two seated male figures (c. 1275–1300): Art, History and Details

Fol. 199r, Esther, historiated initial, two seated male figures at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 20v, Exodus, historiated initial H, Moses and two followers with the tablets of the law (c. 1275–1300; Cleveland 2008.2.20.b)

Fol. 20v, Exodus, historiated initial H, Moses and two followers with the tablets of the law (c. 1275–1300): Art, History and Details

Fol. 20v, Exodus, historiated initial H, Moses and two followers with the tablets of the law at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection histo

Fol. 36r, Leviticus, historiated initial V, Moses offering a sacrificial lamb on an altar (c. 1275–1300; Cleveland 2008.2.36.a)

Fol. 36r, Leviticus, historiated initial V, Moses offering a sacrificial lamb on an altar (c. 1275–1300): Art, History and Details

Fol. 36r, Leviticus, historiated initial V, Moses offering a sacrificial lamb on an altar at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 46v, Numbers, historiated initial L, Moses with horns, kneeling before God (c. 1275–1300; Cleveland 2008.2.46.b)

Fol. 46v, Numbers, historiated initial L, Moses with horns, kneeling before God (c. 1275–1300): Art, History and Details

Fol. 46v, Numbers, historiated initial L, Moses with horns, kneeling before God at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 62v, Deuteronomy, historiated initial H, Moses with horns and scroll preaching to two men (c. 1275–1300; Cleveland 2008.2.62.b)

Fol. 62v, Deuteronomy, historiated initial H, Moses with horns and scroll preaching to two men (c. 1275–1300): Art, History and Details

Fol. 62v, Deuteronomy, historiated initial H, Moses with horns and scroll preaching to two men at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection his

Fol. 76v, Joshua, historiated initial E, Joshua with a scroll kneeling before God (c. 1275–1300; Cleveland 2008.2.76.b)

Fol. 76v, Joshua, historiated initial E, Joshua with a scroll kneeling before God (c. 1275–1300): Art, History and Details

Fol. 76v, Joshua, historiated initial E, Joshua with a scroll kneeling before God at the Cleveland Museum of Art: c. 1275–1300, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 86r, Judges, historiated initial R, Judah seated with a book talking to God (c. 1275–1300; Cleveland 2008.2.86.a)

Fol. 86r, Judges, historiated initial R, Judah seated with a book talking to God (c. 1275–1300): Art, History and Details

Fol. 86r, Judges, historiated initial R, Judah seated with a book talking to God at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 96r, Ruth, Historiated Initial I with Elimilech and Naomi. (c. 1275–1300; Cleveland 2008.2.96.a)

Fol. 96r, Ruth, Historiated Initial I with Elimilech and Naomi. (c. 1275–1300): Art, History and Details

Fol. 96r, Ruth, Historiated Initial I with Elimilech and Naomi. at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Fol. 98r, Kings I, historiated initial F, Elkanah and Hannah kneeling before an altar with God appearing above (c. 1275–1300; Cleveland 2008.2.98.a)

Fol. 98r, Kings I, historiated initial F, Elkanah and Hannah kneeling before an altar with God appearing above (c. 1275–1300): Art, History and Details

Fol. 98r, Kings I, historiated initial F, Elkanah and Hannah kneeling before an altar with God appearing above at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution an

Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the foliage extensions (c. 1275–1300; Cleveland 2008.2.i.a)

Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare,

Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the fol

Fol. 205r, Job, historiated initial V, Job on the dungheap given a gold earring by one of his sisters (c. 1275–1300; Cleveland 2008.2.205.a)

Fol. 205r, Job, historiated initial V, Job on the dungheap given a gold earring by one of his sisters (c. 1275–1300): Art, History and Details

Fol. 205r, Job, historiated initial V, Job on the dungheap given a gold earring by one of his sisters at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collect