Art & Design archive — Page 321

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On the Thames (c. 1827–29; Cleveland 2005.201)

On the Thames (c. 1827–29): Art, History and Details

On the Thames at the Cleveland Museum of Art: c. 1827–29, watercolor with graphite and scraping. Explore the work's context, creator attribution and collection history.

Royal Elephant Ramkali with a Mahout (c. 1761; Cleveland 2005.202)

Royal Elephant Ramkali with a Mahout (c. 1761): Art, History and Details

Royal Elephant Ramkali with a Mahout at the Cleveland Museum of Art: c. 1761, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Initial D (c. 1400; Cleveland 2005.203)

Leaf from a Book of Hours: Initial D (c. 1400): Art, History and Details

Leaf from a Book of Hours: Initial D at the Cleveland Museum of Art: c. 1400, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: St. Matthew (c. 1415–20; Cleveland 2005.204)

Leaf from a Book of Hours: St. Matthew (c. 1415–20): Art, History and Details

Leaf from a Book of Hours: St. Matthew at the Cleveland Museum of Art: c. 1415–20, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit) (1430s; Cleveland 2005.205)

Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit) (1430s): Art, History and Details

Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit) at the Cleveland Museum of Art: 1430s, ink, tempera and gold on vellum. Explore the work's context, creator attribution an

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) and Two Devils (verso) (c. 1460; Cleveland 2005.206)

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) and Two Devils (verso) (c. 1460): Art, History and Details

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) and Two Devils (verso) at the Cleveland Museum of Art: c. 1460, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection his

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) (c. 1460; Cleveland 2005.206.a)

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) (c. 1460): Art, History and Details

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) at the Cleveland Museum of Art: c. 1460, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Office of the Dead: Two Devils (verso) (c. 1460; Cleveland 2005.206.b)

Leaf from a Book of Hours: Office of the Dead: Two Devils (verso) (c. 1460): Art, History and Details

Leaf from a Book of Hours: Office of the Dead: Two Devils (verso) at the Cleveland Museum of Art: c. 1460, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Latin Bible: Initial A and Initial A: Judith Beheading Holofernes (c. 1230–1240; Cleveland 2005.207)

Leaf from a Latin Bible: Initial A and Initial A: Judith Beheading Holofernes (c. 1230–1240): Art, History and Details

Leaf from a Latin Bible: Initial A and Initial A: Judith Beheading Holofernes at the Cleveland Museum of Art: c. 1230–1240, ink and tempera on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Betrayal of Christ (c. 1470–85; Cleveland 2005.208)

Leaf from a Book of Hours: The Betrayal of Christ (c. 1470–85): Art, History and Details

Leaf from a Book of Hours: The Betrayal of Christ at the Cleveland Museum of Art: c. 1470–85, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

The Terrace of the Villa Brancas (1876; Cleveland 2005.240)

The Terrace of the Villa Brancas (1876): Art, History and Details

The Terrace of the Villa Brancas at the Cleveland Museum of Art: 1876, etching. Explore the work's context, creator attribution and collection history.

Landscape with Cottage (recto); Studies of Heads (verso) (c. 1820s; Cleveland 2005.300)

Landscape with Cottage (recto); Studies of Heads (verso) (c. 1820s): Art, History and Details

Landscape with Cottage (recto); Studies of Heads (verso) at the Cleveland Museum of Art: c. 1820s, black chalk and gray wash with scraping. Explore the work's context, creator attribution and collection history.

Landscape with Cottage (recto) (c. 1820s; Cleveland 2005.300.a)

Landscape with Cottage (recto) (c. 1820s): Art, History and Details

Landscape with Cottage (recto) at the Cleveland Museum of Art: c. 1820s, black chalk and gray wash with scraping. Explore the work's context, creator attribution and collection history.

Studies of Heads (verso) (c. 1820s(?); Cleveland 2005.300.b)

Studies of Heads (verso) (c. 1820s(?)): Art, History and Details

Studies of Heads (verso) at the Cleveland Museum of Art: c. 1820s(?), black chalk. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Initial D (c. 1400; Cleveland 2006.10)

Leaf from a Book of Hours: Initial D (c. 1400): Art, History and Details

Leaf from a Book of Hours: Initial D at the Cleveland Museum of Art: c. 1400, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: St. Bartholomew (c. 1440–1460; Cleveland 2006.11)

Leaf from a Book of Hours: St. Bartholomew (c. 1440–1460): Art, History and Details

Leaf from a Book of Hours: St. Bartholomew at the Cleveland Museum of Art: c. 1440–1460, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) (c. 1460–1500; Cleveland 2006.12)

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) (c. 1460–1500): Art, History and Details

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) at the Cleveland Museum of Art: c. 1460–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso) (c. 1500–1510; Cleveland 2006.13)

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso) (c. 1500–1510): Art, History and Details

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) (c. 1500–1510; Cleveland 2006.13.a)

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) (c. 1500–1510): Art, History and Details

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Ape Fishing (verso) (c. 1500–1510; Cleveland 2006.13.b)

Leaf from a Book of Hours: Ape Fishing (verso) (c. 1500–1510): Art, History and Details

Leaf from a Book of Hours: Ape Fishing (verso) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Raising of the Cross (c. 1510–20; Cleveland 2006.14)

Leaf from a Book of Hours: The Raising of the Cross (c. 1510–20): Art, History and Details

Leaf from a Book of Hours: The Raising of the Cross at the Cleveland Museum of Art: c. 1510–20, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves) at the Cleveland Museum of Art:

Pair of Needlework Bed Hangings in the Bizarre Style (1710–20; Cleveland 2006.2)

Pair of Needlework Bed Hangings in the Bizarre Style (1710–20): Art, History and Details

Pair of Needlework Bed Hangings in the Bizarre Style at the Cleveland Museum of Art: 1710–20, Silk, wool: needlework, tent and cross-stitch embroidery on canvas. Explore the work's context, creator attribution and collection history.

Needlework Bed Hanging in the Bizarre style (left half) (1710–20; Cleveland 2006.2.1)

Needlework Bed Hanging in the Bizarre style (left half) (1710–20): Art, History and Details

Needlework Bed Hanging in the Bizarre style (left half) at the Cleveland Museum of Art: 1710–20, Silk, wool; needlework, tent, and cross-stitch embroidery on canvas. Explore the work's context, creator attribution and collection history.

Needlework Bed Hanging in the Bizarre style (right half) (1710–20; Cleveland 2006.2.2)

Needlework Bed Hanging in the Bizarre style (right half) (1710–20): Art, History and Details

Needlework Bed Hanging in the Bizarre style (right half) at the Cleveland Museum of Art: 1710–20, needlework, tent and cross stitch embroidery on canvas; silk, wool. Explore the work's context, creator attribution and collection history.

Overmantel Mirror (c. 1740; Cleveland 2006.3)

Overmantel Mirror (c. 1740): Art, History and Details

Overmantel Mirror at the Cleveland Museum of Art: c. 1740, carved giltwood and glass. Explore the work's context, creator attribution and collection history.

Winter Trees Reflected in a Pond (1841–42; Cleveland 2006.4)

Winter Trees Reflected in a Pond (1841–42): Art, History and Details

Winter Trees Reflected in a Pond at the Cleveland Museum of Art: 1841–42, salted paper print from calotype negative. Explore the work's context, creator attribution and collection history.

Woman's Belt Hanger (Zone) (c. 725–675 BCE; Cleveland 2006.5)

Woman's Belt Hanger (Zone) (c. 725–675 BCE): Art, History and Details

Woman's Belt Hanger (Zone) at the Cleveland Museum of Art: c. 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.

Opéra (Rostral Column) (c. 1875; Cleveland 2006.6)

Opéra (Rostral Column) (c. 1875): Art, History and Details

Opéra (Rostral Column) at the Cleveland Museum of Art: c. 1875, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Leaf from a Psalter: Initial D: David at the Altar on the Threshing Floor of Ornan (c. 1270–80; Cleveland 2006.8)

Leaf from a Psalter: Initial D: David at the Altar on the Threshing Floor of Ornan (c. 1270–80): Art, History and Details

Leaf from a Psalter: Initial D: David at the Altar on the Threshing Floor of Ornan at the Cleveland Museum of Art: c. 1270–80, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Medallion from the Border of a Latin Bible: The Sixth Day of Creation (early 1300s; Cleveland 2006.9)