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Detached Left Forearm and Hand of the Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer at the Cleveland Museum of Art: c. 350–200 BCE, bronze, copper and stone inlay. Explore the work's context, creator attri
Detached Creature from the Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer at the Cleveland Museum of Art: c. 350–200 BCE, bronze, copper and stone inlay. Explore the work's context, creator attribution and
Anthropomorph at the Cleveland Museum of Art: c. 1500–1000 BCE, copper. Explore the work's context, creator attribution and collection history.
Behind the Troglodyte Farm at the Cleveland Museum of Art: c. 1853, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.
Harbor of Boston, with the City in the Distance at the Cleveland Museum of Art: c. 1846–47, oil on canvas. Explore the work's context, creator attribution and collection history.
Landscape at the Cleveland Museum of Art: 1893, lithograph printed in green and brown on yellow paper. Explore the work's context, creator attribution and collection history.
Landscape with Figure in Foreground at the Cleveland Museum of Art: c. 1840, brown ink and brown wash with graphite. Explore the work's context, creator attribution and collection history.
The Bohemians at the Cleveland Museum of Art: c. 1621–25, etching and engraving. Explore the work's context, creator attribution and collection history.
The Bohemians: The Bohemians Marching: The Rear Guard at the Cleveland Museum of Art: c. 1621–25, etching and engraving. Explore the work's context, creator attribution and collection history.
The Bohemians: The Bohemians Marching: The Vanguard at the Cleveland Museum of Art: c. 1621–25, etching and engraving. Explore the work's context, creator attribution and collection history.
The Stopping Place: The Fortune Teller at the Cleveland Museum of Art: c. 1621–25, etching and engraving. Explore the work's context, creator attribution and collection history.
The Stopping Place: The Feast of the Bohemians at the Cleveland Museum of Art: c. 1621–25, etching and engraving. Explore the work's context, creator attribution and collection history.
Jar with Spiral Designs at the Cleveland Museum of Art: 3300–2650 BCE, earthenware with slip-painted decoration. Explore the work's context, creator attribution and collection history.
Four Poems: Calligraphy in Cursive Script (xingshu) at the Cleveland Museum of Art: 1500s-1600s, handscroll; ink on gold speckled paper. Explore the work's context, creator attribution and collection history.
Standing Female with Basket at the Cleveland Museum of Art: 600–1000, ceramic, slip. Explore the work's context, creator attribution and collection history.
Tile Spandrel with Floral Sprays at the Cleveland Museum of Art: c. 1570–75, Fritware with red slip and underglaze design. Explore the work's context, creator attribution and collection history.
Helmet Mask at the Cleveland Museum of Art: mid- to late 1800s, Wood and probably resin. Explore the work's context, creator attribution and collection history.
Baseplate for the Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer at the Cleveland Museum of Art: c. 350–200 BCE, or possibly later, bronze. Explore the work's context, creator attribution and collection his
Wooded Landscape at L'Hermitage, Pontoise at the Cleveland Museum of Art: 1879, softground, aquatint, and drypoint. Explore the work's context, creator attribution and collection history.
Sindhu Raga at the Cleveland Museum of Art: c. 1720, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Staff of Office at the Cleveland Museum of Art: early to mid-1800s, Wood and iron. Explore the work's context, creator attribution and collection history.
God of Thunder (Raijin) at the Cleveland Museum of Art: mid-1600s, six-panel folding screen; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Self-Portrait at the Cleveland Museum of Art: 1857, etching and drypoint. Explore the work's context, creator attribution and collection history.
Rhine Maidens at the Cleveland Museum of Art: 1930, glazed earthenware. Explore the work's context, creator attribution and collection history.
Two Elephants Fighting in a Courtyard Before Muhammad Shah at the Cleveland Museum of Art: c. 1730–40, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Two Elephants Fighting in a Courtyard Before Muhammad Shah at the Cleveland Museum of Art: c. 1730–40, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Two Elephants Fighting in a Courtyard Before Muhammad Shah at the Cleveland Museum of Art: c. 1730–40, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Textile Fragment with Three Frontal Deities and Interlace Pattern at the Cleveland Museum of Art: 700–400 BCE, camelid fiber; double-cloth with structural embroidery. Explore the work's context, creator attribution and collection history.
Textile Fragment with Frontal Deity Heads, Felines, and Interlace Pattern at the Cleveland Museum of Art: 700–400 BCE, camelid fiber; double-cloth with structural embroidery. Explore the work's context, creator attribution and collection hi
Tunic with Profile Animals and Checkerboards at the Cleveland Museum of Art: 410–540 CE (radiocarbon date, 93% probability), cotton; dye-patterned plain weave. Explore the work's context, creator attribution and collection history.
Tunic with Double-headed Serpents at the Cleveland Museum of Art: 400–200 BCE, cotton; gauze. Explore the work's context, creator attribution and collection history.
Sculptural Element from a Reliquary Ensemble (mbulu ngulu) at the Cleveland Museum of Art: probably 1800s, Wood, copper alloy, and iron. Explore the work's context, creator attribution and collection history.
Li, Hollow-Legged Tripod at the Cleveland Museum of Art: 1200–800 BCE, dark gray earthenware. Explore the work's context, creator attribution and collection history.
Figure (iginga) at the Cleveland Museum of Art: probably 1800s, Elephant ivory, tukula, and oil. Explore the work's context, creator attribution and collection history.
Evening Mood-Lidingö at the Cleveland Museum of Art: 1900, oil on canvas. Explore the work's context, creator attribution and collection history.
Mantle or Hanging at the Cleveland Museum of Art: 1480–1635 (radiocarbon date, 95.4% probability), cotton; plain weave, brocaded and complex alternating gauze with 3 or 5 shots of plain weave between gauze shots. Explore the work's context,
Grave Stele (Relief) at the Cleveland Museum of Art: c. 50 BCE, marble. Explore the work's context, creator attribution and collection history.
Tunic Fragments with Bird-Headed Creature at the Cleveland Museum of Art: 600–1000, Camelid fiber, cotton: tapestry weave. Explore the work's context, creator attribution and collection history.
Half of a Sleeved Tunic at the Cleveland Museum of Art: c. 500–1000, camelid fiber, cotton: tapestry weave. Explore the work's context, creator attribution and collection history.
Half of a Sleeved Tunic at the Cleveland Museum of Art: c. 500–1000, single-interlocked tapestry; cotton warp; camelid fiber weft. Explore the work's context, creator attribution and collection history.