Art & Design archive — Page 322

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Night Café (c. 1923): Art, History and Details

Night Café at the Cleveland Museum of Art: c. 1923, oil on canvas. Explore the work's context, creator attribution and collection history.

Peaches and Bats (late 1600s–1700s): Art, History and Details

Peaches and Bats at the Cleveland Museum of Art: late 1600s–1700s, greenish-white jade. Explore the work's context, creator attribution and collection history.

Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami (c. 1560–80): Art, History and Details

Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami at the Cleveland Museum of Art: c. 1560–80, opaque watercolor, ink, and gold on paper. Explo

Bahram Visits the White Domed Pavilion on Friday (recto) (c. 1560–80): Art, History and Details

Bahram Visits the White Domed Pavilion on Friday (recto) at the Cleveland Museum of Art: c. 1560–80, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (calligraphy: c. 1475–1500; border: c. 1550): Art, History and Details

Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution

Illuminated folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (calligraphy: c. 1475–1500; border: c. 1550): Art, History and Details

Illuminated folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator att

Illuminated folio (verso) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (calligraphy: c. 1475–1500; border: c. 1550): Art, History and Details

Illuminated folio (verso) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator att

Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (c. 1475–1500; border: c. 1550): Art, History and Details

Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and collecti

Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (c. 1475–1500; border: c. 1550): Art, History and Details

Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and

Illuminated folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) (about 1475–1500; border: about 1550): Art, History and Details

Illuminated folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: about 1475–1500; border: about 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and co

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) (c. 1524): Art, History and Details

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, cre

Leaf from a Psalter and Prayerbook: Ornamental Border with Flowers and Squirrel (verso) (c. 1524): Art, History and Details

Leaf from a Psalter and Prayerbook: Ornamental Border with Flowers and Squirrel (verso) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Wall Hanging (pardah) (1800–1850): Art, History and Details

Wall Hanging (pardah) at the Cleveland Museum of Art: 1800–1850, Silk: warp-faced plain weave, warp-ikat; cotton weft. Explore the work's context, creator attribution and collection history.

Wall hanging (pardah) (1850–75): Art, History and Details

Wall hanging (pardah) at the Cleveland Museum of Art: 1850–75, warp ikat, warp-faced plain weave; silk warp; cotton weft; 5 panels./ lining: printed cotton, plain weave; 2 panels. Explore the work's context, creator attribution and collecti

The Caporali Missal (1469): Art, History and Details

The Caporali Missal at the Cleveland Museum of Art: 1469, Ink, tempera and gold on vellum; 400 folios. Explore the work's context, creator attribution and collection history.

Missale: Fol. 185v: Crucifixion with borders (full page) (1469): Art, History and Details

Missale: Fol. 185v: Crucifixion with borders (full page) at the Cleveland Museum of Art: 1469, ink, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Missale: Fol. 186: Decorated Initial T[e igitur] (full page) (1469): Art, History and Details

Missale: Fol. 186: Decorated Initial T[e igitur] (full page) at the Cleveland Museum of Art: 1469, ink, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Ecce Homo. Christ Presented to the People (1655): Art, History and Details

Ecce Homo. Christ Presented to the People at the Cleveland Museum of Art: 1655, drypoint. Explore the work's context, creator attribution and collection history.

A Herdsman with Three Cows by an Upland Pool (mid-1780s): Art, History and Details

A Herdsman with Three Cows by an Upland Pool at the Cleveland Museum of Art: mid-1780s, watercolor, ink and oil paint heightened with white chalk ("Bristol lead white"). Explore the work's context, creator attribution and collection history

Dipper (100 BCE–700 CE): Art, History and Details

Dipper at the Cleveland Museum of Art: 100 BCE–700 CE, ceramic, slip. Explore the work's context, creator attribution and collection history.

Portrait of Paul Chenavard, from the series "Histoire des Artistes Vivants" (c. 1852): Art, History and Details

Portrait of Paul Chenavard, from the series "Histoire des Artistes Vivants" at the Cleveland Museum of Art: c. 1852, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Love Requests Venus to Return His Weapons to Him (1768): Art, History and Details

Love Requests Venus to Return His Weapons to Him at the Cleveland Museum of Art: 1768, chalk-manner etching and engraving printed in color. Explore the work's context, creator attribution and collection history.

Long shawl with woven figures and animals (c. 1885): Art, History and Details

Long shawl with woven figures and animals at the Cleveland Museum of Art: c. 1885, 2/2 twill tapestry weave, double interlocked and pieced: wool (possibly pashmina). Explore the work's context, creator attribution and collection history.

Turkmen Main Carpet (1870s): Art, History and Details

Turkmen Main Carpet at the Cleveland Museum of Art: 1870s, Wool, silk; 171 symmetrical (Turkish) knots per square inch. Explore the work's context, creator attribution and collection history.

Krishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 1625 (1700s): Art, History and Details

Krishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 1625 at the Cleveland Museum of Art: 1700s, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance (1803): Art, History and Details

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance at the Cleveland Museum of Art: 1803, softground etching and aquatint printed in brown, hand-colored with w

A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle & Notre Dame taken from the Arsenal (1802): Art, History and Details

A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle & Notre Dame taken from the Arsenal at the Cleveland Museum of Art: 1802, softground etching and aquatint printed in brown. Explore the work's contex

Statue of the Virgin, Notre Dame de Paris (1853): Art, History and Details

Statue of the Virgin, Notre Dame de Paris at the Cleveland Museum of Art: 1853, salted paper print from paper negative. Explore the work's context, creator attribution and collection history.

Eggs of a Stone-curlew or Plover (1900s): Art, History and Details

Eggs of a Stone-curlew or Plover at the Cleveland Museum of Art: 1900s, silver print on printing out paper. Explore the work's context, creator attribution and collection history.

Brocaded Silk Cushion Cover & Iranian Striped Silk Surround (early 1600s): Art, History and Details

Brocaded Silk Cushion Cover & Iranian Striped Silk Surround at the Cleveland Museum of Art: early 1600s, silk, gilt-metal thread; lampas weave. Explore the work's context, creator attribution and collection history.

Lampas silk cushion cover (early 1600s): Art, History and Details

Lampas silk cushion cover at the Cleveland Museum of Art: early 1600s, lampas: silk and gilt-metal thread. Explore the work's context, creator attribution and collection history.

Brahma-Shiva (900s): Art, History and Details

Brahma-Shiva at the Cleveland Museum of Art: 900s, granite. Explore the work's context, creator attribution and collection history.

Altar figure (onílé) (possibly 1700s): Art, History and Details

Altar figure (onílé) at the Cleveland Museum of Art: possibly 1700s, Copper alloy. Explore the work's context, creator attribution and collection history.

Parade Halberd (from the bodyguard of Ludwig Rudolf, Duke of Brunswick- Wolfenbüttel [1671-1735]) (1717): Art, History and Details

Parade Halberd (from the bodyguard of Ludwig Rudolf, Duke of Brunswick- Wolfenbüttel [1671-1735]) at the Cleveland Museum of Art: 1717, blued, etched and gilded steel, wooden haft with orginal steel base spike, silk tassel with alternating

Parade Partisan (from the Bodyguard of August Wilhelm, Duke of Brunswick- Wolfenbüttel [1662-1731]) (1718): Art, History and Details

Parade Partisan (from the Bodyguard of August Wilhelm, Duke of Brunswick- Wolfenbüttel [1662-1731]) at the Cleveland Museum of Art: 1718, blued, etched and gilded steel, wooden haft with orginal steel base spike, silk tassel with alternatin

Textile Fragments (c. 50–650 CE): Art, History and Details

Textile Fragments at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.

Textile Fragment (c. 50–650 CE): Art, History and Details

Textile Fragment at the Cleveland Museum of Art: c. 50–650 CE, cotton and camelid fiber. Explore the work's context, creator attribution and collection history.