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Art & Design archive — Page 74

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Text, Folio 46 (verso), from a Kalpa-sutra (c. 1500; Cleveland 1932.119.46.b)

Text, Folio 46 (verso), from a Kalpa-sutra (c. 1500): Art, History and Details

Text, Folio 46 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 51 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.51.b)

Text, Folio 51 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 51 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Nemi Enthroned, Folio 54 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.54.b)

Nemi Enthroned, Folio 54 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Nemi Enthroned, Folio 54 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

The Eleven Principal Disciples (Ganadharas) of Mahavira, Folio 57 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.57.b)

The Eleven Principal Disciples (Ganadharas) of Mahavira, Folio 57 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

The Eleven Principal Disciples (Ganadharas) of Mahavira, Folio 57 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra (c. 1450; Cleveland 1932.119.60.b)

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra (c. 1450): Art, History and Details

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1450, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

The Crucifixion: Miniature Excised from a Prayer Book (c. 1540–1550; Cleveland 1932.135)

The Crucifixion: Miniature Excised from a Prayer Book (c. 1540–1550): Art, History and Details

The Crucifixion: Miniature Excised from a Prayer Book at the Cleveland Museum of Art: c. 1540–1550, tempera on vellum. Explore the work's context, creator attribution and collection history.

Fragment with musicians (1200s; Cleveland 1932.137)

Fragment with musicians (1200s): Art, History and Details

Fragment with musicians at the Cleveland Museum of Art: 1200s, Silk and gold thread: lampas weave with areas of double cloth. Explore the work's context, creator attribution and collection history.

A Bridal Couple (c. 1470; Cleveland 1932.179)

A Bridal Couple (c. 1470): Art, History and Details

A Bridal Couple at the Cleveland Museum of Art: c. 1470, oil on panel. Explore the work's context, creator attribution and collection history.

The Holy Family with Saint John the Baptist and Saint Margaret (c. 1488–93; Cleveland 1932.227)

The Holy Family with Saint John the Baptist and Saint Margaret (c. 1488–93): Art, History and Details

The Holy Family with Saint John the Baptist and Saint Margaret at the Cleveland Museum of Art: c. 1488–93, tempera and oil on wood. Explore the work's context, creator attribution and collection history.

The Four Horsemen, from The Apocalypse (c. 1498; Cleveland 1932.313)

The Four Horsemen, from The Apocalypse (c. 1498): Art, History and Details

The Four Horsemen, from The Apocalypse at the Cleveland Museum of Art: c. 1498, woodcut. Explore the work's context, creator attribution and collection history.

Covered Cup with Grape Festoon (mid-1500s; Cleveland 1932.317)

Covered Cup with Grape Festoon (mid-1500s): Art, History and Details

Covered Cup with Grape Festoon at the Cleveland Museum of Art: mid-1500s, etching. Explore the work's context, creator attribution and collection history.

Sketch for "The Thought of Death alone, the Fear Destroys" (c. 1795; Cleveland 1932.318)

Sketch for "The Thought of Death alone, the Fear Destroys" (c. 1795): Art, History and Details

Sketch for "The Thought of Death alone, the Fear Destroys" at the Cleveland Museum of Art: c. 1795, graphite on paper. Explore the work's context, creator attribution and collection history.

Working Woman with Blue Shawl (1903; Cleveland 1932.320)

Working Woman with Blue Shawl (1903): Art, History and Details

Working Woman with Blue Shawl at the Cleveland Museum of Art: 1903, color lithograph. Explore the work's context, creator attribution and collection history.

Reliquary in Purse Form (c. 1320; Cleveland 1932.422)

Reliquary in Purse Form (c. 1320): Art, History and Details

Reliquary in Purse Form at the Cleveland Museum of Art: c. 1320, copper, gilded and engraved; glass; rock crystal; precious stones; wood core. Explore the work's context, creator attribution and collection history.

Quatrilobed Plaque (c. 1280–1300; Cleveland 1932.537)

Quatrilobed Plaque (c. 1280–1300): Art, History and Details

Quatrilobed Plaque at the Cleveland Museum of Art: c. 1280–1300, Gold, translucent enamel. Explore the work's context, creator attribution and collection history.

Wedding Jar (c. 1900; Cleveland 1933.16)

Wedding Jar (c. 1900): Art, History and Details

Wedding Jar at the Cleveland Museum of Art: c. 1900, ceramic. Explore the work's context, creator attribution and collection history.

On Death, Part I (1889; Cleveland 1933.126)

On Death, Part I (1889): Art, History and Details

On Death, Part I at the Cleveland Museum of Art: 1889, etching and aquatint. Explore the work's context, creator attribution and collection history.

Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI) (1889; Cleveland 1933.126.1)

Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI) (1889): Art, History and Details

Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI) at the Cleveland Museum of Art: 1889, etching and aquatint. Explore the work's context, creator attribution and collection history.

Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI) (1889; Cleveland 1933.126.5)

Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI) (1889): Art, History and Details

Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI) at the Cleveland Museum of Art: 1889, etching and aquatint. Explore the work's context, creator attribution and collection history.

Cloudy Mountains (1130; Cleveland 1933.220)

Cloudy Mountains (1130): Art, History and Details

Cloudy Mountains at the Cleveland Museum of Art: 1130, Handscroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Japanese Woman Painting a Fan (recto); Standing Woman Holding Up Her Dress (verso) (c. 1872; Cleveland 1933.222)

Japanese Woman Painting a Fan (recto); Standing Woman Holding Up Her Dress (verso) (c. 1872): Art, History and Details

Japanese Woman Painting a Fan (recto); Standing Woman Holding Up Her Dress (verso) at the Cleveland Museum of Art: c. 1872, black chalk and pastel. Explore the work's context, creator attribution and collection history.

Japanese Woman Painting a Fan (recto) (c. 1872; Cleveland 1933.222.a)

Japanese Woman Painting a Fan (recto) (c. 1872): Art, History and Details

Japanese Woman Painting a Fan (recto) at the Cleveland Museum of Art: c. 1872, black chalk and pastel. Explore the work's context, creator attribution and collection history.

Standing Woman Holding Up Her Dress (verso) (c. 1872; Cleveland 1933.222.b)

Standing Woman Holding Up Her Dress (verso) (c. 1872): Art, History and Details

Standing Woman Holding Up Her Dress (verso) at the Cleveland Museum of Art: c. 1872, black chalk or crayon. Explore the work's context, creator attribution and collection history.

Cloth with Winged and Two-Tailed Animals (1600s-1700s; Cleveland 1933.303)

Cloth with Winged and Two-Tailed Animals (1600s-1700s): Art, History and Details

Cloth with Winged and Two-Tailed Animals at the Cleveland Museum of Art: 1600s-1700s, Bleached plain weave linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions) and bobbin lace edging. Explore the work's conte

Lace Edging (1700s; Cleveland 1933.304)

Lace Edging (1700s): Art, History and Details

Lace Edging at the Cleveland Museum of Art: 1700s, Linen: bobbin lace design on mesh ground. Explore the work's context, creator attribution and collection history.

Cloth with Border of Vegetal Motifs and Insertion with Bird Motifs (1700s; Cleveland 1933.311)

Cloth with Border of Vegetal Motifs and Insertion with Bird Motifs (1700s): Art, History and Details

Cloth with Border of Vegetal Motifs and Insertion with Bird Motifs at the Cleveland Museum of Art: 1700s, Plain weave wool with needle lace, burato insertion (twined ground and darned in two directions), filet/lacis border and edging (knott

Cloth with Border of Crowned Double-Headed Eagles with Various Emblems, Birds, and Other Animals (1800s; Cleveland 1933.315)

Cloth with Border of Crowned Double-Headed Eagles with Various Emblems, Birds, and Other Animals (1800s): Art, History and Details

Cloth with Border of Crowned Double-Headed Eagles with Various Emblems, Birds, and Other Animals at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, burato (twined ground and darned in two directions), bobbin lace ins

Border with Floral Motifs (1800s; Cleveland 1933.317)

Border with Floral Motifs (1800s): Art, History and Details

Border with Floral Motifs at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction). Explore the work's context, creator attribution and collection history.

Lace Lappet (1730s; Cleveland 1933.326)

Lace Lappet (1730s): Art, History and Details

Lace Lappet at the Cleveland Museum of Art: 1730s, Linen: bobbin lace. Explore the work's context, creator attribution and collection history.

Corner Fragment with a Variety of Patterns (1800s; Cleveland 1933.334)

Corner Fragment with a Variety of Patterns (1800s): Art, History and Details

Corner Fragment with a Variety of Patterns at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, machine-made burato (twined ground and darned in two directions), cutwork, drawnwork, and applied fringe. Explore the work

Cloth with Border of Vegetal Pattern (1800s; Cleveland 1933.336)

Cloth with Border of Vegetal Pattern (1800s): Art, History and Details

Cloth with Border of Vegetal Pattern at the Cleveland Museum of Art: 1800s, Bleached plain weave linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and colle

Band with Various Fantastic Creatures and Vegetal Patterns (1800s; Cleveland 1933.343)

Band with Various Fantastic Creatures and Vegetal Patterns (1800s): Art, History and Details

Band with Various Fantastic Creatures and Vegetal Patterns at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution

Border with Double-Headed Birds and Vases with Vines and Flowers (1800s; Cleveland 1933.344)

Border with Double-Headed Birds and Vases with Vines and Flowers (1800s): Art, History and Details

Border with Double-Headed Birds and Vases with Vines and Flowers at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction). Explore the work's context, creator attrib

Pair of Lace Lappets (1715–74; Cleveland 1933.363)

Pair of Lace Lappets (1715–74): Art, History and Details

Pair of Lace Lappets at the Cleveland Museum of Art: 1715–74, Linen: needle lace (Argentan). Explore the work's context, creator attribution and collection history.

Fish-Shaped Applique (1400–1532; Cleveland 1933.392)

Fish-Shaped Applique (1400–1532): Art, History and Details

Fish-Shaped Applique at the Cleveland Museum of Art: 1400–1532, cotton and camelid fiber, tapestry weave with areas of eccentric weft floats. Explore the work's context, creator attribution and collection history.

A View from Bald Mountain, Orange County, N.Y. (1843; Cleveland 1933.401)

A View from Bald Mountain, Orange County, N.Y. (1843): Art, History and Details

A View from Bald Mountain, Orange County, N.Y. at the Cleveland Museum of Art: 1843, pen and black ink, and brown wash heightened with white, over traces of graphite. Explore the work's context, creator attribution and collection history.

The Guitarist (1720s; Cleveland 1933.416)

The Guitarist (1720s): Art, History and Details

The Guitarist at the Cleveland Museum of Art: 1720s, red chalk. Explore the work's context, creator attribution and collection history.

Floral Panel, Probably from a Curtain (early 1600s; Cleveland 1933.421)

Floral Panel, Probably from a Curtain (early 1600s): Art, History and Details

Floral Panel, Probably from a Curtain at the Cleveland Museum of Art: early 1600s, Silk, linen; plain weave, embroidery: couch and stem stitches. Explore the work's context, creator attribution and collection history.

Fragment of a furnishing textile (1800s; Cleveland 1933.422)

Fragment of a furnishing textile (1800s): Art, History and Details

Fragment of a furnishing textile at the Cleveland Museum of Art: 1800s, Cotton, silk, dye. Explore the work's context, creator attribution and collection history.

Qur'an Manuscript Folio (1200s–1300s; Cleveland 1933.440)

Qur'an Manuscript Folio (1200s–1300s): Art, History and Details

Qur'an Manuscript Folio at the Cleveland Museum of Art: 1200s–1300s, ink, gold, and color on parchment. Explore the work's context, creator attribution and collection history.