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Dagger (red velvet case) at the Cleveland Museum of Art: 1700s–1800s, Wood sheath covered in velvet with metallic thread. Explore the work's context, creator attribution and collection history.
Axel Shaft Cup at the Cleveland Museum of Art: c. 800–700 BCE, bronze, cast. Explore the work's context, creator attribution and collection history.
Finial at the Cleveland Museum of Art: 475–221 BCE, bronze inlaid with gold and silver. Explore the work's context, creator attribution and collection history.
Monster Face: Door Ring Holder (Pushou) at the Cleveland Museum of Art: 500s, gilt bronze. Explore the work's context, creator attribution and collection history.
Market Square, Providence, Rhode Island, During the Great September Gale at the Cleveland Museum of Art: 1815, black crayon and pastel, with graphite and stylus; scraped and incised in places. Explore the work's context, creator attribution
Relief of Nyankhnesut Seated at the Cleveland Museum of Art: c. 2311–2281 BCE, painted limestone. Explore the work's context, creator attribution and collection history.
Arm Reliquary of the Apostles at the Cleveland Museum of Art: c. 1190, gilt silver, champlevé enamel, oak. Explore the work's context, creator attribution and collection history.
The So-called Horn of Saint Blaise at the Cleveland Museum of Art: 1100–1200, ivory. Explore the work's context, creator attribution and collection history.
Book-Shaped Reliquary at the Cleveland Museum of Art: c. 1000, ivory, silver: gilded, pearls, rubies, emeralds, crystals, onyx, carnelian, oak. Explore the work's context, creator attribution and collection history.
Belt for a Lady's Dress at the Cleveland Museum of Art: c. 1375–1400, basse-taille enamel and gilding on silver, silver thread, gilt-silver buckle, cast and chased. Explore the work's context, creator attribution and collection history.
Return from Russia at the Cleveland Museum of Art: c. 1818, lithograph printed in black and ochre with watercolor added by hand. Explore the work's context, creator attribution and collection history.
Beatrice at the Cleveland Museum of Art: 1897, color lithograph on China paper laid on wove paper. Explore the work's context, creator attribution and collection history.
Ceremonial Cross of Countess Gertrude at the Cleveland Museum of Art: 1038 or shortly after, gold: worked in repoussé; cloisonné enamel, intaglio gems, pearls, wood core. Explore the work's context, creator attribution and collection histor
Textile Fragment with the Annunciation at the Cleveland Museum of Art: 1370–1400, Silk with gold thread; lampas weave. Explore the work's context, creator attribution and collection history.
White Flower at the Cleveland Museum of Art: 1929, oil on canvas. Explore the work's context, creator attribution and collection history.
The Sun Through the Trees at the Cleveland Museum of Art: June 30, 1917, Watercolor and opaque watercolor. Explore the work's context, creator attribution and collection history.
Lighthouse Village (also known as Cape Elizabeth) at the Cleveland Museum of Art: 1929, Watercolor with graphite and scraping on paper. Explore the work's context, creator attribution and collection history.
Lace Towel End at the Cleveland Museum of Art: c. 1700s–1800s, cotton or linen (est.) straight (continuous) bobbin lace (Vologda tape lace). The tape forms figural or plant motifs outlined with gimp (heavy cord) with a monochrome plaited gr
Lace Towel End at the Cleveland Museum of Art: 1700s–1800s, cotton or linen (est.); straight (continuous) bobbin lace; ground with interspersed motifs of plant and animal forms in plain weave outlined with gimp (heavy cord); applied silk (e
Lace Towel End at the Cleveland Museum of Art: c. 1700s–1800s, cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace). The tape forms figural or plant motifs outlined with gimp (heavy cord) with a polychrome plaited g
Lace Towel End at the Cleveland Museum of Art: c. 1700s–1800s, cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace). The tape forms figural or plant motifs outlined with colored gimp (heavy cord) with a polychrome p
Lace Towel End at the Cleveland Museum of Art: 1700s–1800s, cotton or linen (est.) straight (continuous) bobbin lace; ground with interspersed motifs of plant and animal forms in plain weave outlined with metal thread; applied silk (est.) r
Lace Towel End at the Cleveland Museum of Art: c. 1700s–1800s, cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace). The tape forms figural or plants motifs outlined with gimp (heavy cord) with a polychrome plaited
Lace Towel End at the Cleveland Museum of Art: c. 1700s–1800s, cotton or linen (est.) straight (continuous) bobbin lace; ground with interspersed motifs of plant and animal forms in plain weave outlined with gimp (heavy cord); applied silk
Towel End at the Cleveland Museum of Art: c 1700s- 1800s, plain weave linen (est.) with polychrome wool (est.) and metal thread chain stitch embroidery; applied silk (est.) ribbon and metal thread trim. Explore the work's context, creator a
Towel End at the Cleveland Museum of Art: c. 1800–1825, Linen: plain weave ground; wool; metal thread: embroidery, chain stitch; silk: ribbon. Explore the work's context, creator attribution and collection history.
Border at the Cleveland Museum of Art: c 1800– 1825, plain weave silk (est.) ground with polychrome silk (est.) and metal thread chain stitch embroidery; applied silk (est.) ribbon and metal thread trims. Explore the work's context, creator
Male Figure at the Cleveland Museum of Art: by 1931, wood. Explore the work's context, creator attribution and collection history.
Venus Reclining in a Landscape at the Cleveland Museum of Art: c. 1508–9, engraving. Explore the work's context, creator attribution and collection history.
The Offering at the Cleveland Museum of Art: c. 1915, oil on canvas. Explore the work's context, creator attribution and collection history.
The Supper at Emmaus at the Cleveland Museum of Art: c. 1720, oil on canvas. Explore the work's context, creator attribution and collection history.
At the Window II at the Cleveland Museum of Art: c. 1923, lithograph. Explore the work's context, creator attribution and collection history.
Polychrome Oinochoe (Wine Jug): Deer and Lions (?) at the Cleveland Museum of Art: c. 600–575 BCE, ceramic. Explore the work's context, creator attribution and collection history.
Mother-and-Child Figure at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, glass beads, upholstery studs, natural fiber, and pigment. Explore the work's context, creator attribution and collection history.
The Drinking Customs of Society or Worship of Bacchus at the Cleveland Museum of Art: 1864, steel engraving. Explore the work's context, creator attribution and collection history.
Fragment of a Chasuble Orphrey Cross Band at the Cleveland Museum of Art: 1000s, Silk and gold metallic thread: tablet weave. Explore the work's context, creator attribution and collection history.
Monstrance with a Relic of Saint Sebastian at the Cleveland Museum of Art: 1484, gilded silver, rock crystal, bone, parchment. Explore the work's context, creator attribution and collection history.
Panel at the Cleveland Museum of Art: c. 1780–1840, Linen: plain weave; silk: embroidery. Explore the work's context, creator attribution and collection history.
Panel at the Cleveland Museum of Art: c. 1780–1840, Linen: plain weave; silk; embroidery. Explore the work's context, creator attribution and collection history.
Panel for a Headdress at the Cleveland Museum of Art: 1700–1900, Linen: plain weave; silk: embroidery. Explore the work's context, creator attribution and collection history.