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Art & Design archive — Page 73

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The Crucifixion with a Carthusian Monk (1460; Cleveland 1931.449)

The Crucifixion with a Carthusian Monk (1460): Art, History and Details

The Crucifixion with a Carthusian Monk at the Cleveland Museum of Art: 1460, oil and gold on wood. Explore the work's context, creator attribution and collection history.

Harpist (mid-700s; Cleveland 1931.450)

Harpist (mid-700s): Art, History and Details

Harpist at the Cleveland Museum of Art: mid-700s, glazed earthenware. Explore the work's context, creator attribution and collection history.

Shri Raga, from a Ragamala (c. 1695; Cleveland 1931.451)

Shri Raga, from a Ragamala (c. 1695): Art, History and Details

Shri Raga, from a Ragamala at the Cleveland Museum of Art: c. 1695, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru; Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru (early 1400s; Cleveland 1931.452)

The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru; Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A C

The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru; Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru

The Story of Hushang, from a Majma al-tavarikh (A Compendium of Histories) of Hafiz-i Abru (recto) (1425–50; Cleveland 1931.452.a)

The Story of Hushang, from a Majma al-tavarikh (A Compendium of Histories) of Hafiz-i Abru (recto) (1425–50): Art, History and Details

The Story of Hushang, from a Majma al-tavarikh (A Compendium of Histories) of Hafiz-i Abru (recto) at the Cleveland Museum of Art: 1425–50, opaque watercolor and ink on paper. Explore the work's context, creator attribution and collection h

Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru (c. 1425; Cleveland 1931.452.b)

Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru (c. 1425): Art, History and Details

Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru at the Cleveland Museum of Art: c. 1425, ink and opaque watercolor on paper. Explore the work's context, creator attribution and collecti

Lion-headed Stand (1150–1220; Cleveland 1931.453)

Lion-headed Stand (1150–1220): Art, History and Details

Lion-headed Stand at the Cleveland Museum of Art: 1150–1220, cast brass inlaid with silver. Explore the work's context, creator attribution and collection history.

Ceremonial Cross of Count Liudolf (shortly after 1038; Cleveland 1931.461)

Ceremonial Cross of Count Liudolf (shortly after 1038): Art, History and Details

Ceremonial Cross of Count Liudolf at the Cleveland Museum of Art: shortly after 1038, gold: worked in repoussé; cloisonné enamel; intaglio gems; pearls; wood core. Explore the work's context, creator attribution and collection history.

Portable Altar of Countess Gertrude (c. 1045; Cleveland 1931.462)

Portable Altar of Countess Gertrude (c. 1045): Art, History and Details

Portable Altar of Countess Gertrude at the Cleveland Museum of Art: c. 1045, gold, cloisonné enamel, porphyry, gems, pearls, niello, wood core. Explore the work's context, creator attribution and collection history.

Portable Altar of Countess Gertrude (shortly after 1038; Cleveland 1931.462.a)

Portable Altar of Countess Gertrude (shortly after 1038): Art, History and Details

Portable Altar of Countess Gertrude at the Cleveland Museum of Art: shortly after 1038, gold, cloisonné enamel, porphyry, gems, pearls, niello, wood core. Explore the work's context, creator attribution and collection history.

Trap door for the Portable Altar of Countess Gertrude (c. 1045; Cleveland 1931.462.b)

Trap door for the Portable Altar of Countess Gertrude (c. 1045): Art, History and Details

Trap door for the Portable Altar of Countess Gertrude at the Cleveland Museum of Art: c. 1045, Gold, cloisonné enamel, porphyry, gems, pearls, niello, wood core. Explore the work's context, creator attribution and collection history.

Flower-shaped Mirror (1100s; Cleveland 1932.12)

Flower-shaped Mirror (1100s): Art, History and Details

Flower-shaped Mirror at the Cleveland Museum of Art: 1100s, bronze. Explore the work's context, creator attribution and collection history.

The heroine who waits anxiously for her absent lover (Utka Nayika) (c. 1800; Cleveland 1932.118)

The heroine who waits anxiously for her absent lover (Utka Nayika) (c. 1800): Art, History and Details

The heroine who waits anxiously for her absent lover (Utka Nayika) at the Cleveland Museum of Art: c. 1800, Gum tempera on paper. Explore the work's context, creator attribution and collection history.

Kalpa-sutra manuscript with 24 illuminations (c. 1475–1500; Cleveland 1932.119)

Kalpa-sutra manuscript with 24 illuminations (c. 1475–1500): Art, History and Details

Kalpa-sutra manuscript with 24 illuminations at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Mirror Case with Lid (1800s; Cleveland 1932.13)

Mirror Case with Lid (1800s): Art, History and Details

Mirror Case with Lid at the Cleveland Museum of Art: 1800s, Varnished lacquer and opaque watercolor over papier-mâché. Explore the work's context, creator attribution and collection history.

Fragment of a Tiraz (932–40; Cleveland 1932.31)

Fragment of a Tiraz (932–40): Art, History and Details

Fragment of a Tiraz at the Cleveland Museum of Art: 932–40, silk embroidery on linen tabby ground. Explore the work's context, creator attribution and collection history.

Decorated Situla (305–30 BCE; Cleveland 1932.32)

Decorated Situla (305–30 BCE): Art, History and Details

Decorated Situla at the Cleveland Museum of Art: 305–30 BCE, bronze. Explore the work's context, creator attribution and collection history.

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) (c. 1595; Cleveland 1932.36)

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) (c. 1595): Art, History and Details

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) at the Cleveland Museum of Art: c. 1595, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) (c. 1595; Cleveland 1932.36.a)

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) (c. 1595): Art, History and Details

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]) at the Cleveland Museum of Art: c. 1595, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Page of disasters, from the Tarikh-i Alfi (History of a Thousand Years) (c. 1595; Cleveland 1932.36.b)

Page of disasters, from the Tarikh-i Alfi (History of a Thousand Years) (c. 1595): Art, History and Details

Page of disasters, from the Tarikh-i Alfi (History of a Thousand Years) at the Cleveland Museum of Art: c. 1595, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Velvet panel with four youths smelling flowers (1625–50; Cleveland 1932.42)

Velvet panel with four youths smelling flowers (1625–50): Art, History and Details

Velvet panel with four youths smelling flowers at the Cleveland Museum of Art: 1625–50, Silk: velvet, brocaded, and pile-warp substitution; gilt- and silver-metal thread. Explore the work's context, creator attribution and collection histor

Hair-Pipe Necklace (early 1900s; Cleveland 1932.50)

Hair-Pipe Necklace (early 1900s): Art, History and Details

Hair-Pipe Necklace at the Cleveland Museum of Art: early 1900s, Cow-bone hair pipes, glass beads, brass beads, silk ribbon, metal coin, Native-tanned hide or rawhide stringing, vegetable-tanned hide separators. Explore the work's context, c

The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.14.a)

The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Transfer of the Embryo of Mahavira, Folio 12 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.12.a)

Transfer of the Embryo of Mahavira, Folio 12 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Transfer of the Embryo of Mahavira, Folio 12 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.24.a)

King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and

Text, folio 12 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.12.b)

Text, folio 12 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, folio 12 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Queen Trishala's Grief and Happiness, Folio 29 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.29.a)

Queen Trishala's Grief and Happiness, Folio 29 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Queen Trishala's Grief and Happiness, Folio 29 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.31.a)

Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 37 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.37.a)

Text, Folio 37 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 37 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 25 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.25.a)

Text, Folio 25 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 25 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, folio 24 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.24.b)

Text, folio 24 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, folio 24 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

King Siddhartha and Queen Trishala with the Dream Interpreters, Folio 25 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.25.b)

King Siddhartha and Queen Trishala with the Dream Interpreters, Folio 25 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

King Siddhartha and Queen Trishala with the Dream Interpreters, Folio 25 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and coll

Text, Folio 29 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.29.b)

Text, Folio 29 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 29 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Birth of Mahavira, folio 30 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.30.b)

Birth of Mahavira, folio 30 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Birth of Mahavira, folio 30 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 31 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.31.b)

Text, Folio 31 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 31 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.37.b)

Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 54 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.54.a)

Text, Folio 54 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 54 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.51.a)

Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, c

Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra (c. 1500; Cleveland 1932.119.46.a)

Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra (c. 1500): Art, History and Details

Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Text, Folio 57 (recto), from a Kalpa-sutra (c. 1475–1500; Cleveland 1932.119.57.a)

Text, Folio 57 (recto), from a Kalpa-sutra (c. 1475–1500): Art, History and Details

Text, Folio 57 (recto), from a Kalpa-sutra at the Cleveland Museum of Art: c. 1475–1500, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.