Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
The "Apostles" Pyx (Box) at the Cleveland Museum of Art: c. 980–1010, ivory. Explore the work's context, creator attribution and collection history.
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" (pair) at the Cleveland Museum of Art: c. 1220, ink and tempera on a vellum roll of four membranes. Explore the work's context, creator attribution and collection history.
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" at the Cleveland Museum of Art: c. 1220, ink and tempera on a vellum roll of four membranes. Explore the work's context, creator attribution and collection history.
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" at the Cleveland Museum of Art: c. 1220, ink and tempera on a vellum roll of four membranes. Explore the work's context, creator attribution and collection history.
Education of the Virgin at the Cleveland Museum of Art: c. 1700, marble. Explore the work's context, creator attribution and collection history.
Saint Francis Receiving the Stigmata at the Cleveland Museum of Art: 1586, engraving. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Necklace Bead in the Form of a Fish at the Cleveland Museum of Art: 185–72 BCE, gold repoussé with granulation. Explore the work's context, creator attribution and collection history.
Pair of Pendants in the Shape of an Auspicious Symbol at the Cleveland Museum of Art: 185–72 BCE, gold. Explore the work's context, creator attribution and collection history.
Pendant in the Shape of a Fish-Tailed Elephant at the Cleveland Museum of Art: 185–72 BCE, gold. Explore the work's context, creator attribution and collection history.
Necklace Bead and Pair of Pendants in the Shape of an Auspicious Symbol at the Cleveland Museum of Art: c. 150 BCE, gold. Explore the work's context, creator attribution and collection history.
The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge; The Eight Hosts of Deva, Naga, and Yakshi at the Cleveland Museum of Art: 1454, Pair of hanging scrolls; ink and color on silk. Explore the work's context, creator
The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge at the Cleveland Museum of Art: 1454, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
The Eight Hosts of Deva, Naga, and Yakshi at the Cleveland Museum of Art: 1454, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
One-Faced Linga (Ekamukhalinga) at the Cleveland Museum of Art: 600s–700s, chloritic schist. Explore the work's context, creator attribution and collection history.
Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays at the Cleveland Museum of Art: 700s, bronze with silver and gold inlaid lacquer. Explore the work's context, creator attribution and collection history.
Plaque with Vishnu at the Cleveland Museum of Art: c. 600s, gold repoussé. Explore the work's context, creator attribution and collection history.
Section from a Portable Shrine at the Cleveland Museum of Art: 100s CE, gray schist. Explore the work's context, creator attribution and collection history.
Male Figure at the Cleveland Museum of Art: c. 1760, lindenwood. Explore the work's context, creator attribution and collection history.
Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey) at the Cleveland Museum of Art: c. 1700–1720, Gum tempera, ink, and gold on
Royal lovers watching rain clouds: The month of Bhadon, from a Barahmasa at the Cleveland Museum of Art: c. 1790, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Zaō Gongen at the Cleveland Museum of Art: 1200s, wood. Explore the work's context, creator attribution and collection history.
Krishna Lifting Mount Govardhan at the Cleveland Museum of Art: c. 600, Sandstone. Explore the work's context, creator attribution and collection history.
The Entombment at the Cleveland Museum of Art: c. 1550s, woodcut. Explore the work's context, creator attribution and collection history.
Heroines of the New Testament: Mary Magdalen at the Cleveland Museum of Art: c. 1595, engraving. Explore the work's context, creator attribution and collection history.
The Mystical Grapes at the Cleveland Museum of Art: c. 1500, Wool, silk, silver thread; tapestry weave. Explore the work's context, creator attribution and collection history.
Isola Bella, Lago Maggiore at the Cleveland Museum of Art: 1839, graphite heightened with white. Explore the work's context, creator attribution and collection history.
Chicken-Headed Ewer at the Cleveland Museum of Art: 220–589 CE, green-glazed stoneware with incised, carved and applied decoration, Yue ware. Explore the work's context, creator attribution and collection history.
Seated Buddha at the Cleveland Museum of Art: 1100s, gilded wood. Explore the work's context, creator attribution and collection history.
Seated Buddha (sculpture) at the Cleveland Museum of Art: 1100s, gilded wood. Explore the work's context, creator attribution and collection history.