Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Meiping Vase with Carved Floral Sprays at the Cleveland Museum of Art: 960–1279, Porcelain with pale bluish-white glaze, qingbai ("blue-white") ware. Explore the work's context, creator attribution and collection history.
Portrait of a Man and His Dog at the Cleveland Museum of Art: c. 1880, carte-de-visite, albumen print. Explore the work's context, creator attribution and collection history.
Vessel with Reclining Figure and Birds at the Cleveland Museum of Art: 2200–200 BCE, Ceramic, pigment (cinnabar?). Explore the work's context, creator attribution and collection history.
Textile Fragment with Cotton Goddess at the Cleveland Museum of Art: 800–500 BCE, Cotton, pigments. Explore the work's context, creator attribution and collection history.
Double-spouted Vessel at the Cleveland Museum of Art: 750–1 BCE, Ceramic, resin-based paint. Explore the work's context, creator attribution and collection history.
Thumb Rest of a Spear Thrower at the Cleveland Museum of Art: 600–1000, Bone. Explore the work's context, creator attribution and collection history.
Bound Deer Effigy Vessel at the Cleveland Museum of Art: 1000–1460s, Ceramic. Explore the work's context, creator attribution and collection history.
Head Cloth at the Cleveland Museum of Art: 1000–1460s, Cotton. Explore the work's context, creator attribution and collection history.
Saint John the Baptist at the Cleveland Museum of Art: c. 1500, Tonnerre limestone. Explore the work's context, creator attribution and collection history.
Dish with Ginkgo Leaves at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collection history.
Dish with Maple Leaves in Waves at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue and overglaze color enamel (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collection h
Dish with Sweet Osmanthus and Cloud at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue and overglaze color enamel (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collecti
Yang Guifei Leaving the Bath at the Cleveland Museum of Art: 1700s, Hanging scroll; ink, colors, and gold on silk. Explore the work's context, creator attribution and collection history.
On the Road, A Lady of the Genkō Era (1313-34), from the series Thirty-Six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection hist
The Fourth Month, A Lady of the Enkyō Era (1744-48), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection
A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution an
Playing the Koyo, A Lady from Nagoya of the Kōka Era (1844-48), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and
Chasing Fireflies, A Lady of the Tenmei Era (1781-1789), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collec
Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney at the Cleveland Museum of Art: c. 1886–1899, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection history.
True View of Benten at Inokashira from the series Gekkō’s Miscellaney at the Cleveland Museum of Art: c. 1886–1899, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: 1889, Earthenware. Explore the work's context, creator attribution and collection history.
The Adoration of the Shepherds at the Cleveland Museum of Art: c. 1552, Etching and engraving. Explore the work's context, creator attribution and collection history.
The Apotheosis of Romulus: Design for a Ceiling at the Cleveland Museum of Art: c. 1675–76, Black chalk, pen and brown ink, brush and brown wash, heightened with white, with perspectival indications. Explore the work's context, creator attr
Portrait of a Man Holding a Watch at the Cleveland Museum of Art: c. 1665–70, oil on wood. Explore the work's context, creator attribution and collection history.
Portrait of Colonel Charles Heathcote at the Cleveland Museum of Art: c. 1771–72, Oil on canvas. Explore the work's context, creator attribution and collection history.
Sleeved Tunic at the Cleveland Museum of Art: 1460s–1532, Cotton, camelid fiber. Explore the work's context, creator attribution and collection history.
Aizen Myōō at the Cleveland Museum of Art: 1300s, Hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.
Stultitiam patiuntur opes (Wealth permits Stupidity), or, Allegory of Wealth, Lust, and Stupidity at the Cleveland Museum of Art: 1588, Engraving. Explore the work's context, creator attribution and collection history.
Woman with a Letter at the Cleveland Museum of Art: 1750–1800, Watercolor and gouache with point of brushwork. Explore the work's context, creator attribution and collection history.
Seated Woman Holding a Bird Cage at the Cleveland Museum of Art: probably 18th century, Black chalk with stumping (in drapery) and wet work (hair and eyes) and red and white chalk, with blue chalk and traces of yellow chalk. Explore the wor
Dance staff for Èṣù (Ògò Èlẹ́gba) at the Cleveland Museum of Art: 1800s, Wood, leather, cowrie shells, seeds, and natural fiber. Explore the work's context, creator attribution and collection history.
Cigar Box at the Cleveland Museum of Art: c. 1896–1908, Silver gilt, enamel, sapphire set in gold; [reproduction silk tinder cord, gold and moonstone catch]. Explore the work's context, creator attribution and collection history.
Self-Portrait at the Cleveland Museum of Art: 1920–21, Softground etching. Explore the work's context, creator attribution and collection history.
Figure 7: Étude du méchanisme et de l'expression du muscle frontal chez un vieillard: à droit, attention; à gauche, repos at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's con
Figure 32: Natural laughter by the voluntary contraction of the two large zygomatics and the lower palpebral orbicularis at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's cont
Figure 51: À droite, contraction partielle de l'élévateur commun de l'aile du nez et de la lèvre supérieure: mécontentement, mauvaise humeur; à gauche, repos at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass pl
Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement inexpressif at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's context, creator attribution and collectio
Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's context, creator
Portrait of Francesca Gommi Maratti at the Cleveland Museum of Art: c. 1701, Oil on canvas. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at the Cleveland Museum of Art: 1835, retouched by the artist in 1843, Watercolor on vellum. Explore the work's context, creator attribution and collection history.