Egham (1859): Art, History and Details
Egham at the Cleveland Museum of Art: 1859, etching and drypoint. Explore the work's context, creator attribution and collection history.
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Egham at the Cleveland Museum of Art: 1859, etching and drypoint. Explore the work's context, creator attribution and collection history.

Head of an Oriental at the Cleveland Museum of Art: 1600s, etching. Explore the work's context, creator attribution and collection history.

Architectural Brick with Dancer in Relief at the Cleveland Museum of Art: before 870, molded terracotta with slip coating. Explore the work's context, creator attribution and collection history.

Ichikawa Monnosuke II as Urabe Suetake, Onoe Matsusuke I as Usui Sadamitsu, and Nakamura Nakazo I as Watanabe no Tsuna in “The Four Heavenly Kings Costumed as the Night Watch” at the Cleveland Museum of Art: 1781, triptych of color woodbloc

Ichikawa Monnosuke II as Urabe no Suetake at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Onoe Matsusuke as Usui Sadamitsu at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Nakamura Nakazo I as Watanabe no Tsuna at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo at the Cleveland Museum of Art: 1857, color woodblock print. Explore the work's context, creator attribution and collection history.

Woman by a Plum Tree Matched with the Wisteria Maiden (from a series of women compared to figures from Otsu paintings) at the Cleveland Museum of Art: c. early 1830s, color woodblock print (surimono). Explore the work's context, creator att

Furuichi Dance at the Hisagataya at the Cleveland Museum of Art: mid 1820s, second of a pentaptych of woodblock prints; ink and color on paper. Explore the work's context, creator attribution and collection history.

Ichikawa Ebizo III as Yanone Goro in Nenriki arahitogami at the Cleveland Museum of Art: 1758, color woodblock print. Explore the work's context, creator attribution and collection history.

Love at the Brothel Gate at the Cleveland Museum of Art: late 1760s, color woodblock print. Explore the work's context, creator attribution and collection history.

Chushingura: Act IX of The Storehouse of Loyalty at the Cleveland Museum of Art: late 1790s, color woodblock print. Explore the work's context, creator attribution and collection history.

Chushingura: Act X of The Storehouse of Loyalty at the Cleveland Museum of Art: late 1790s, color woodblock print. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, Triptych of woodblock prints, ink and color on paper. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

The Courtesan Takihime and Attendants (from the series New Patterns of Young Greens) at the Cleveland Museum of Art: 1795, color woodblock print. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, Pentaptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Ten-Round Incense Game at the Cleveland Museum of Art: 1700s–mid-1800s, Lacquered wood with gold and silver sprinkled powder (maki-e) and mother-of-pearl inlay, metal fittings. Explore the work's context, creator attribution and collection

Fishing at Iwaya on Enoshima at the Cleveland Museum of Art: c. 1790, triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Eight Views of Kanazawa at Night at the Cleveland Museum of Art: 1857, Triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Evening View of the Eight Famous Places near Kanazawa Under Full Moon in Musashi Province at the Cleveland Museum of Art: 1857, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection hist

Evening View of the Eight Famous Places near Kanazawa Under Full Moon in Musashi Province at the Cleveland Museum of Art: 1857, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection hist

Evening View of the Eight Famous Places near Kanazawa Under Full Moon in Musashi Province at the Cleveland Museum of Art: 1857, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection hist

The Monkey Bridge at the Cleveland Museum of Art: early 1830s, color woodblock print. Explore the work's context, creator attribution and collection history.

Head of a Woman at the Cleveland Museum of Art: 500–475 BCE, terracotta. Explore the work's context, creator attribution and collection history.

Transenna Panel at the Cleveland Museum of Art: 700s–800s, marble. Explore the work's context, creator attribution and collection history.

Elizabeth Beltzhoover Mason at the Cleveland Museum of Art: c. 1803–5, oil on canvas. Explore the work's context, creator attribution and collection history.

Banded Wearing Blanket (Diyugi) at the Cleveland Museum of Art: c. 1880–90, Wool (handspun and bayeta): tapestry weave. Explore the work's context, creator attribution and collection history.

Wearing Blanket at the Cleveland Museum of Art: c. 1875–80, Wool (handspun, Germantown, and bayeta): tapestry weave. Explore the work's context, creator attribution and collection history.

Wearing Blanket at the Cleveland Museum of Art: c. 1875–80, Wool (handspun, Germantown, and bayeta); tapestry weave. Explore the work's context, creator attribution and collection history.

Wearing Blanket with Moki (Moqui) Stripes at the Cleveland Museum of Art: 1865–75, Wool (handspun, Germantown, and bayeta): tapestry weave. Explore the work's context, creator attribution and collection history.

Saltillo Sarape at the Cleveland Museum of Art: c. 1840–60, Wool, cotton; tapestry weave, macramé fringe. Explore the work's context, creator attribution and collection history.