Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Painting from a Kalpa-sutra: Queen Trishala Reclining at the Cleveland Museum of Art: c. 1450–75, Gum tempera and gold on paper; 18th century gold flecked border. Explore the work's context, creator attribution and collection history.
Gravestone in the Form of a Lekythos at the Cleveland Museum of Art: 300s BCE, marble. Explore the work's context, creator attribution and collection history.
Angel from a Tomb at the Cleveland Museum of Art: 1330–50, marble. Explore the work's context, creator attribution and collection history.
Angel from a Tomb at the Cleveland Museum of Art: 1330–50, marble. Explore the work's context, creator attribution and collection history.
Angel from a Tomb at the Cleveland Museum of Art: 1330–50, marble. Explore the work's context, creator attribution and collection history.
May Day, Central Park at the Cleveland Museum of Art: 1901, watercolor over graphite. Explore the work's context, creator attribution and collection history.
Textile with field of poppies on a golden ground at the Cleveland Museum of Art: 1600–1750, silk and gilt-metal thread: twill weave with supplementary weft, stamped. Explore the work's context, creator attribution and collection history.
Orpheus at the Cleveland Museum of Art: c. 1903–10, pastel on brown paper. Explore the work's context, creator attribution and collection history.
Nymphs and a Satyr (Amor Vincit Omnia) at the Cleveland Museum of Art: c. 1625–27, oil on canvas. Explore the work's context, creator attribution and collection history.
Head of Aphrodite at the Cleveland Museum of Art: c. 100–200 CE, marble. Explore the work's context, creator attribution and collection history.
Corinthian Helmet at the Cleveland Museum of Art: 500–475 BCE or modern (before 1926), bronze with silver inlay. Explore the work's context, creator attribution and collection history.
Monsieur Boileau at the Café at the Cleveland Museum of Art: 1893, oil and tempera with charcoal on millboard. Explore the work's context, creator attribution and collection history.
The Holy Trinity at the Cleveland Museum of Art: 1511, woodcut. Explore the work's context, creator attribution and collection history.
Hercules at the Cleveland Museum of Art: c. 1496–97, woodcut. Explore the work's context, creator attribution and collection history.
The Last Supper at the Cleveland Museum of Art: 1510, woodcut. Explore the work's context, creator attribution and collection history.
The Large Passion: The Crucifixion at the Cleveland Museum of Art: c. 1497–1500, woodcut. Explore the work's context, creator attribution and collection history.
The Resurrection at the Cleveland Museum of Art: 1510, woodcut. Explore the work's context, creator attribution and collection history.
And I Saw in the Right Hand of Him that Sat on the Throne a Book Written within and on the Backside, Sealed with Seven Seals at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection hi
And His Name That Sat on Him Was Death at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And the Angel Took the Censer at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And There Fell a Great Star from Heaven, Burning as it were a Lamp at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
A Woman Clothed with the Sun at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And Another Angel Came Out of the Temple which is in Heaven, and He also Having a Sharp Sickle at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword at the Cleveland Museum of Art: 1899, lithograph on China paper laid on wove paper. Explore the work's context, creator attribution and collection h
And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And the Devil That Deceived Them was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection histor
And Bound Him a Thousand Years at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And I, John, Saw the Holy City, New Jerusalem, Coming Down from God and out of Heaven at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
And I John Saw These Things, and Heard Them at the Cleveland Museum of Art: 1899, lithograph. Explore the work's context, creator attribution and collection history.
Cover at the Cleveland Museum of Art: 1899, lithograph on wove paper. Explore the work's context, creator attribution and collection history.
Roundel from a Blanket or Cover at the Cleveland Museum of Art: 300s–400s CE, tapestry weave with supplementary weft wrapping; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.
Fragment of a Tunic at the Cleveland Museum of Art: 400s–600s CE, wool: tabby ground, inwoven tapestry ornament. Explore the work's context, creator attribution and collection history.
Ornamental Shoulder Bands from a Tunic at the Cleveland Museum of Art: 500s, tapestry weave with supplementary weft wrapping; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.
Ornamental Shoulder Bands from a Tunic at the Cleveland Museum of Art: 500s, Undyed linen and dyed wool: tapestry weave with supplementary weft wrapping. Explore the work's context, creator attribution and collection history.
Ornamental Shoulder Bands from a Tunic at the Cleveland Museum of Art: 500s, Undyed linen and dyed wool: tapestry weave with supplementary weft wrapping. Explore the work's context, creator attribution and collection history.
The Apocalypse of Saint John at the Cleveland Museum of Art: 1899, twelve lithographs on wove paper. Explore the work's context, creator attribution and collection history.
Neck and Shoulder Decoration from a Tunic at the Cleveland Museum of Art: late 400s - 500s, plain weave with slit-tapestry weave and supplementary weft wrapping; dyed wool, undyed linen. Explore the work's context, creator attribution and c
Fragment, Sleeve Ornament from a Tunic at the Cleveland Museum of Art: 500s - early 600s, tapestry (probably originally inwoven in tabby ground); wool. Explore the work's context, creator attribution and collection history.
Three Figures from a Tunic at the Cleveland Museum of Art: 750–800, tapestry weave; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.
Three Figures from a Tunic at the Cleveland Museum of Art: 750–800, tapestry weave; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.